why I make a rubbish urban sketcher

Today, for once, I am going to travel light. I'm going monotone so all I need is a black pen. Maybe two.

I'll take one sketchbook. Two black pens, one fine nib fountain pen, one brush pen and the obligatory bulldog clip.

I will need to take refills for the fountain pen. I might take my dip pen, just in case, too. 

Mustn't forget my glasses. But, I'm really impressed with how light I'm travelling. 

I'm thinking, though, that I might as well take one or two fine liners. I'm going to take a paint brush too because I'll probably want to put a wash over whatever it is I draw. Might just take my back up fountain pen and back up brush pen too. That's all though.

But then if I'm taking a paint brush I'll need some water. I'll take a jar with diluted black ink in. Then I could take a water brush with clean water in. Yes, I'll do that. I might take two jars of water with two different inky-water mixes in. And one white pen.

I think what I'll do is take another sketchbook so I have a choice in paper size/format. I don't want to get there and not have the right shaped paper. So that's all I'm going to take. Hold on...

There's no point in taking a dip pen if I haven't got a bottle of ink. One bottle of black ink. That's all I need. I think I'll take my 'Little Reference Book of Noses' too. That's always useful. In fact, it's essential.

Thing is, what if I need a bit of colour? Just a little splash of colour. I regretted it the last time I didn't take any and needed some red. I'll put the ink box in. I could always leave it in the car when I get there. Just because I'm putting it in the car doesn't mean I'll be carrying it all over town. That's a good idea. A good back up plan.

And, if that's the case I might as well take a few bottles of coloured inks. Back up. Sod it I'll take a bag full of them. You never know which colour you'll need.

And that is why I make a rubbish urban sketcher.

these prints of our feet

Last night I dreamt that I made this drawing. I never dream about drawing. This morning this drawing, that I did in my dream, was as clear as day so I quickly got it down on paper before I forgot it. I have no idea where it came from or what it means, but I love the stuff that the subconscious throws up.

up the Gherkin

Recently I've been organising the scans of all of the drawings I've made over the past few years and put them into folders and onto memory sticks etc. It's amazing the things you find to do when you have no internet. I came across a  bunch of drawings that I did for a job a few years back. It was for the launch of a new Cross pen (yes, THAT Cross pens). It was a great job. I was approached by Cross to make a series of drawings and to attend their launch night, at the top of the Gherkin (yes, THAT Gherkin). I had to draw a series of iconic buildings and I drew them in the only way I knew how - back then - in the form of souvenirs.

I remember it was a real quick turn around job and that I went right down to the wire with the deadline. Hell, I was still drawing them on the train down to London! So, unfortunately I didn't get to scan all the drawings. I'm particularly annoyed that I didn't scan the New York Museum of Modern Art in a snow globe. Still, it was one of those gigs that was a joy to do (and, let's be honest, it's not often you get to say that). Plus I got to watch the sunset at the top of the Gherkin and to see all the lights go on over London town. 

deconstructing a daydream...

 Here's a brand new drawing.

It was never really actually meant to be a drawing, if you know what I mean? No?

Well it started life as a series of little drawings...

They were just individual drawings of individual pens.

Some of may favourite pens to be precise.

That's all they were ever meant to be, but sometimes I cannot leave a page be.

I cannot rest until I've filled it full of stuff; words, doodles, daydreams...

 I originally drew the pens to decorate the pages of my latest little zine.

But then it grew and grew and grew.

Into one big daydream.

 You can buy the original drawing HERE.

Or if your budget does not stretch to an original (I know mine doesn't), then you get buy the zine HERE.

 

Cheers, my dears.

Happy daydreaming.

playing on my mind

So, Tim here, Andrea's friend, stepping in as her technology has failed her yet again.

Obviously there must be a reason for the need to post something, anything, this thing.  The reason is that Andrea is about to release a, wait for it, brand NEW zine!  Hooray!, I hear you cry.  So here is a first glimpse of 'An Idle Daydream Based On Colour' a pen review (of sorts); as it is titled.

This Daydream is all about pens used in making some of Andrea's iconic images. So if you like pens, or like the work of Andrea, or both, or are just interested in the tools of an artist then read on.

The zine is A5 size, professionally printed on a lovely 170gsm silk paper, 12 pages and includes not only images from this very worldwide blog, not only a story about the pictures' creation but also a new illustrated pen on most of the pages, representing the pen used (sometimes) in that pictures', er, creation.

I have one of the 'Daydream's here and it is smoothly gorgeous. They will available worldwide from the Etsy shop SOON. Possibly by the time this is read by you, you lovely followers of the wonderful work of Miss J.

Thank you letting me bother you, and do check out the new zine, I think you will like it.

Bye.

keep falling, i'll find you

Right then. Let's get this show back on the road.

Firstly, Happy New Year to you all. Thank you for continuing to visit my blog despite the woeful lack of activity here. The truth is I ate and drunk so much over the holidays that getting out of the chair, to use the computer, became very hard work. And, even if I could have (got out the chair, that is) my fingers have got so fat that they were too much for the little keys. Something like that anyway.

But, what a great way to start my New Year posting; I've hooked up with the Pen Addict once again. This time I'm reviewing fine liner pens. This is one of the spreads from the said review, that can be found in full HERE.

Well, I have absolutely loads of new stuff to post. All that coming up in the next couple of weeks. For now Happy 2012!

where the feeling stays

I've had the idea for this drawing in my head for so long now, for at least a year, but it's been a real struggle to get it down on paper.
As soon as the idea came to me, probably in the shower, I felt it could look really great.
I put an outline of a couple of pairs of legs on the page and then left it.
At some point later I coloured in those legs but I still wasn't feeling it. So, I left it some more.
When I'd decided that my next zine was going to be about drawing with a four colour ballpoint I knew that that's the direction I should go with this.
This would be one of the 'big' drawings of the new zine.
Finally, over the last few days I sat down and finished it.
Which was when I really got into it.
Then I found myself thinking "why didn't you get into this sooner? I'm enjoying this drawing sooo much".
Welcome to my world.

what you see sets you apart

I've been meaning to visit A Month of Sundays gallery by Pete McKee since it opened a year, or so, ago.Last Saturday I finally did.

Pete's work was brought to my attention by a series of coincidences which is always the best way to discover something new, I find. I loved it immediately. Whilst our styles are miles apart I think we have a lot in common. Both children of the 1970s housing estates, I relate to his humour and obsession with music.

His work seems to stand alone, it's very distinctive and individual. His little gallery is really very smart. If you are in Sheffield it is well worth a visit.

Before leaving the city I also got time to make this drawing from my car. I would probably have passed this restaurant by without giving it a second look but my car was parked on the hill opposite it. I'd never have noticed it's loveliness. I bet it hasn't changed since the 80s. 70s even. I do like that kind of thing.

As I've said recently, I'm still finding my feet with this on location kind of drawing. Finding my feet in lots of ways. As I get more comfortable with these black pens I am beginning to think about adding colour. I like the results in this one. What do you think?

oh tonight oh tonight

I'm just rounding up the last couple of drawings for the next zine. I'm looking forward to getting a new one printed. It's been a long time.

The 'classified ads' drawings (see last post) are just about finished and I'll try to post them by the end of the week. So, if you've bought some advertising space come back to see your hand illustrated ads. In the meantime I leave you with this craziness. Who knows what I'm ranting on about in this drawing. It's very late at night, the time of night when you shouldn't really be allowed a pen and paper and a blog.

my deep shade

So, when I made the colour ballpoint pen drawing for the Pen Addicts pen review, a few days ago, I knew I hadn't finished with them. I made my first drawing of colour pens 4 and a half years ago. I'm surprised that I haven't revisited this subject since then. Yeah, I've drawn loads of pens but not the colour ballpoints. Yet, they are the most delectable of subject matter. And, I am still not finished. In this drawing, I really like the parts where two pens, and two colours, meet. I want to continue playing with that and pushing to see where it can take me. And my pens.

This drawing is for sale HERE.

ringing home so true

Here's a little something I've been working on, and meaning to do, for some time now. I've put a pen review on the Pen Addict's fabulous site. When it came to it there was only one way for me to do a pen review - draw it!

Check out my ballpoint review HERE and don't forget to bookmark that wonderful site (I say 'bookmark it' like I know what that means). I hope this will be the first of many reviews I do for the Pen Addict. I already have the next one penned (sorry) out in my mind.

I must say that it seems that pens have become my new shoes; in that I seem to be drawing lots and lots of them. I ADORED doing this drawing. I just loved drawing these pens, so I'm most definitely finished with them yet. It's also for sale HERE.

please be kind if i'm a mess

Some of the black and red ballpoints I am currently using. Simple as that, really.
You know the drill; click on the drawing to read all the nonsense that was going through my head while creating this one. Actually, I haven't actually read it myself. Now that's a worry.

This drawing is also for sale. You can buy it HERE.
Cheers, my dears.

comes a time

I really must start this Q&A post or I'll continue to put it off. It could be very long so I'm not sure whether I should do it over a few posts or just keep adding to this one. Any ideas on the best way to go about it? Anyway, here are some of the questions I am asked the most and they are about the tools I use.What is the 'sepia' pen that you use?

It is a Pilot G-Tec fine liner. I have recently found other brown pens but the Pilot is still my favourite.
And, which black pens do you use?

I use a whole load of different black pens. Sometimes I use ballpoints, but for the most my drawings are made with fine liners. Again, I use the Pilot G-Tec fine liner, but when it comes to black pens I'm not fussy about brand names as long as they are very fine fine liners! I have used Faber and Castell's Pitt pens in the past but my current favourite is the Uni Pin. I like this one so much because they seem to be have the finest of nibs.

When it comes to fine liners I usually have a variety of nib sizes, to do various jobs. When I get a fine liner that I like I'll try to buy it in 0.5, 0.2 and 0.1 sized nibs. I find all are useful, in fact I find they are all essential.
What ballpoint pens do you use?

When it comes to ballpoints I will use any. I have made drawing after drawing on that subject (just enlarge the drawing above to prove it). I am no pen snob. I'll give anything a go. In my ballpoint pencil case (yes, I have a pencil case specifically for ballpoints) there are Bic, Staedler, Faber and Castell, PaperMate, amongst all sorts of others. There are the freebie pens that you get from charitys and shops, as well as the very cheap packs of ten that don't even have a brand name - they are THAT cheap.

People have often asked about the quality of ballpoints and the blotchyness, and I'll talk about that in future questions that come up about the quality and longevity of ballpoints.

What paper do you use?

For the one off drawings I use a heavyweight cartridge paper. I'm not that loyal to a brand, but Daler and Rowney and Windsor and Newton seem to be the best on the market (I'm NO expert, though!). I always use a heavyweight paper as it needs to be able to handle all the cross hatching that I throw at it. And, that's a lot of cross hatching.

I also use, as you'll know if ever been to this blog before, Moleskine sketchbooks. I adore the paper in these skecth books and always have a few on the go. They are an obsession for me.

Do you ever experiment with other media?

I've used all sorts in the past. I used to do a bit of painting, but it seems an awful lot of faffing around. I’m a bit lazy like that and can’t be bothered with washing brushes and all the setting up process that painting involves. And, anyway I always ended up drawing with the paintbrush as opposed to painting with it.

I've also used graphite pencil. I always thought that my work would be suited to it. After much practice I found this not to be true. But I’m not a fan of pencil at all. I enjoy seeing other people use it but it’s not for me.

I do love colour pencils, though, and all my colour work is made with colour pencils and colour ballpoint.

ink on a pin

For probably about two years now I've been meaning to do a FAQ post. It would then provide me with a link that I can send to people when they write to me asking about pens and stuff. This week, while I'm being all pro active, that is what I am going to do. I originally thought I'd do it today but I'm going to push it back to the end of the week, to coincide with my birthday (eeek). It feels right to do it on that day. I don't know why.

So, if you have any questions you'd like to ask about my work then please do. You can ask them in the comments and I'll answer them to my post.

Another thing I am going to be doing is a pen review. This drawing is me warming up for that. Click on it if you'd like to read the low down on this selection ballpoints.

you know that we belong in the presidential suite

Hi guys, sorry to leave you hanging there like that.

I know that I keep saying that things have been a little mad recently but things really have been a little mad recently. It's been non stop orders, sales, launches and deadlines. All of which have kept me from blogging. But, I've had some really exciting stuff on, which culminated in a fabulous evening at the the Gherkin on Tuesday at a launch for a new pen 'Spire' by Cross. If you don't know their beautiful products then take a peek at their site HERE. I know that I am forever extolling the virtues of the lowly old ballpoint but there's nothing like a little luxury from time to time, right?

You know, I've always hoped for a collaboration, of some sort, with a pen company and I couldn't have wished for a better one than Cross pens and I have the lovely ladies at their PR company to thank for that. So thanks, girls!

And, of course the experience was made all the more enjoyable for having my part time manager/personal assistant/tour manager/life organiser/best buddy with me. Cheers, mate.

Anyway, I am currently deadlineless (call the Oxford dictionary I've just invented a new word) but I do have a huge bag of London underground souvenirs which should finish off my travel Moleskine nicely. Okay lets draw.......

between the lines

I seem to have been waffling on, in my posts, quite a lot recently. So, in this one I'll just let the drawing do the talking.

You know the drill; click on the drawing for a better view.

the way i feel from day to day

Before I signed with my agent I visited her at her home and we went through all of my drawings, so that she could get an idea of where my work was at and where it might go. When she saw the many drawings of collections, that I create, she said "These drawings look like endpapers. Beautiful endpapers, but endpapers all the same". I have to agree. They do.

You see, I absolutely love endpapers. I've bought many a book on the strength of the endpapers alone. They are often my favourite part of a book. Just Google image 'endpapers' and, if you are anything like me, you'll be drooling for hours.

It got me thinking that my most perfect job in the whole world would be an endpapers illustrator. Seriously, I couldn't think of anything better. So, if you hear of any endpaper-drawer jobs going please let me know. In the meantime here's a couple more from my travel Moleskine.

blowing off the dust

Right then, back to business.

A bit of a crappy drawing to come back with, I'll admit, but this is my commitment to a week of posting. A new post every single day. Although, I know that when I make that kind of statement the pressure gets too much for me. Perhaps I shouldn't mention it. No, I won't say a word. If you want to see new drawings, every day for a week, then you won't find them here.

the world is turning

I've been looking forward to the new year for a long time. I love that feeling of starting afresh. Starting a new chapter. However, now it comes to it, I just can't get started. I can't be bothered. I sabotage myself all the time. And, I feel so nervous about drawing. I feel like I don't know what to draw or how to draw it.

Last night I finally sat down with one of my many new Moleskine products. This is my new 'all things' diary; a diary, an idea book, a reference book. Even some sketches. And, these are the pens that I've selected to use in it.

I had intended a week full of posts about new projects and drawings. I don't know if that's going to happen now. But, maybe tomorrow I'll feel different.

I hope you don't turn away.