Nora and George.
I drew Nora maybe three years ago. George is much more recent. I always wanted a companion for Nora and a couple of weeks ago I brought George to life. Both were based on two well known fascinating characters in the history of tattoo art. Nora Hildebrandt was considered the first tattooed lady and toured with the Barnum & Bailey circus whilst George Burchett had an equally amazing life and went on to become a world famous tattoo artist who even tattooed royalty.
It's been just over a year now, since I went full time as an illustrator and I won't lie, it's been tough. Great, and the best decision I've ever made, but it's been really tough financially speaking. So if 2015 was the year of transition, then 2016 has to be the year where I try to turn my illustration into a business. But that's really hard, right? Thinking of your art in those terms. But I need to eat and I need to pay bills and I need to keep a roof over my head. And, I'll do anything that means that I can draw for a living. Well, not quite anything...
I made both of these drawings with the upside down technique. Nora took me a while and quite a few attempts to get 'right' (or how I wanted her). I got George first time - but then I have had a LOT of practice with this technique as you can see in this sketchbook project. So Nora had a companion at last. I love both of these drawings. George and Nora are actually very dear to me.
I never ever saw myself making Valentines cards. I've never really done anything for a particular market or an occasion. Recently my sales in my Etsy shop have plummeted. I'm part of a local Etsy team and this seems to be something of a trend and not exclusive to me. There has been a huge amount of discussion on forums as to why this is but that's a whole blog post of it's own. I've spoken to people who have weathered that storm and asked them what they've been doing to keep afloat. A lot of those people have a good range of products at different price ranges. They also take holidays and markets seriously.
I couldn't though. I couldn't make something for a market. Not me. But Valentines day was coming up. Could I? Could I really? Surely it would be selling out. Surely it would mean I'd have to dilute my work and make something with hearts and roses and oh no. It was already making me cringe. But also, in another part of my brain, it became a kind of challenge. And then it made sense. I didn't have to do anything I felt uncomfortable about. I had the perfect pair for my Valentines cards. So George and Nora went to print.
I printed them on both white and cream card. I also made a sheet of different messages (see above), based on vintage tattoo designs, to put inside the cards and printed those off too. Then I hand cut them all out (this is where my great ideas always become very complicated and end up taking ridiculous amounts of time to create). Yes, I decided I wanted them to have almost a pop-up feel to them, so I cut around George and Nora and all the tattoos.
Then I bought some smart white and cream blank greetings cards and envelopes and hand stuck, with a little of that sticky foam, the romantic pair onto either side of the card and stuck the message on the inside. Finished them off with some cellophane bags and handmade labels and, hey presto, I had Valentines cards. Just like that.
And they went on sale. In
my Etsy shop and at local galleries and art cafes. So, it is possible to make things for a specific occasion or market without compromising your art. When it comes to the amount of money I laid out and time put into each one I probably won't make my fortune on this range but I made something I'm proud of.
And, on another note, this is the kind of attention to detail and care that you buy into when you make a purchase from an independent maker. Products made with love and passion, where every single sale is appreciated. Now, I'm off to come up with my next money making world domination art project.
George and Nora. Made with love.
