girls drawing

Nat drawing in London

So, I've been nominated to do this post-three-drawings-a-day-for-five-days thing that's going around Facebook at the moment. Have you come across it? I'm not sure if it's just on Facebook, perhaps it's doing the rounds on the blogs too? I think it's quite a fitting that at this time, with recent horrific events in Paris, that our screens and social networking are being filled with illustrations and drawings by people who love illustration and drawing.

 Kate drawing in Sheffield

So, I was nominated by Katherine Tyrrell. I'm sure many of you will know her blog Making A Mark. If you don't you really should check it out. It's ridiculously informative, on all sorts of topics for artists and people making their way in the industry. I've learnt so much from it. Katherine also has a new book out and a few of my illustrations feature in it. The book is called 365 Tips for Drawing and Sketching, you can read more about it HERE.

Miriam drawing in Buxton

 Anyway, the three drawings above are my sketches for the first day of the challenge. It seemed apt to start with sketches of people sketching. Plus, I seem to have been doing an awful lot of that recently. This little sketch of Miriam, above, is one of my own personal favourite sketches. I'm particularly pleased that I did it with such few lines, without over working it, as I often do. Plus, I managed a real likeness - which is hard to do. But then, you wouldn't be able to tell that if you don't know Miriam.

But hey, while I'm at it, whilst I'm posting sketches of people sketching, I might as well include these two, below, that I made last weekend. They are from a sketchcrawl I attended, in Stockport, on Saturday. Emily was our youngest sketchcrawler at 7 years old.

 Emily drawing in pink

Here's the thing about sketching with other people; you can learn something new from each and every one. No matter what their ability or level and no matter what their age. From Emily I learnt about the two pencil technique. Or, at least, she helped me remember it. I always did stuff like that when I was a kid. And, now I've been reminded of it, I'll be using it as a big kid too.

Emily drawing in blue

back in the old folky days

Happy New Year folks!

As I said in a previous post, I've been making some changes to my business (and life) recently. Some leaps of faith. Which all ties in nicely with the New Year and new leaf/chapter/beginning.

Here's something I've never tried before; bespoke, made to order original drawings. Not just bespoke drawings, but, bespoke pet portraits (and that's something I never thought I'd hear myself saying). They are, of course, pet portraits with a difference. They are kind of like drawings of your pet's ancestors. With a little imagined (by me) biography of said pet ancestor.

 

Where and how the hell do I come up with these ideas?

Anyway, you can get a bespoke, Victorian, made to order, portrait of YOUR pet HERE!

No, really.

well my time went so quickly, i went lickety-splickly

 I've just made these really quick sketches whilst watching a series of interviews with Bette Davies. They took a couple of minutes each. It's by doing these fast and furious portraits, from the tv, that I've become comfortable with drawing faces and people. I've made hundreds and hundreds of them over the past few years. They're not amazing. They're not going to set the world alight. But that's not the point. I've learnt so much from doing them, and more than that I really enjoy creating them.

There's another blog post HERE, from two-ish years ago. Back then, it seems, I was still not confident drawing 'real life people'. Which just goes to show how quickly you can build your confidence through practice. Jeez, I'll draw anyone and everyone now - from the big screen to the real life.

just saying it could even make it happen

Natalie

Here are a couple of portraits that I made at our last Dr Sketchy Sheffield event 'Get Your Tatts Out'. They are both on A3 paper - which is why it's taken a while to upload them. One day I will get myself an A3 scanner and not have to cart them off to print shops to get them scanned. I'm pretty chuffed with both. I did them very quickly (they were 15 min poses) with marker pens. I did add some extra cross hatching, to Natalie, at home later. But most of the shading was done with a marker pen that's running out of ink - which is currently one of my favourite tools. No decent pencil case should be without a marker pen that's running out of ink! I've told you before; I ain't a pen snob. Anything goes.

Alexis

And, the blog title? Well, to those with discerning taste, you'll know that's a Kate Bush lyric. I've just found out that I'll be going to see her in concert in September! Eeeek, eeek and more eeek. I never believed this would happen; a) she'd ever play live again and b) I'd get tickets.

resurrected

This has been in one of my sketchbooks for a while. I had no intention of posting it, but with The Stone Roses being all over the news this weekend (well, they are in this neck of the woods) I dug it out. Some time back I found this great photo, in old edition of Q magazine, of Ian Brown. The photo is by Jamie Beeden. I wasn't really looking out for anything to draw but as soon as I saw it I wanted to have a go.

I drew it using the upside down technique - no, I wasn't upside down, I turned the image upside down, see below, and drew it that way up (down?). Everytime I see a great balck and white portrait I want to draw it in that way. Black and white seems easier. With a colour pic it becomes too confusing, too distracting. I know it doesn't look like him. The eyes are huge (they always are when I use this technique. I don't know why?). The mouth is wrong too. Perhaps I shouldn't have even mentioned who it was supposed to be. But hey ho.  And, anyway, if you think this is bad then you should have seen what I did to poor Richard Ashcroft.

saying how do you do

In these times of austerity it's sometimes hard to see any positives, but I, for one, have learnt to be less wasteful. Which can only be a good thing. Take these little Moleskine Volant diaries, and for that matter the Staedtler pens, they have been sat on my bookshelf, and in my pencil case, for a couple of years. They would still be there had I not imposed a new 'no more buying sketchbooks or pens until I've used up some of the stuff that I already have' rule (I'm sure there's a catchier title for that rule but, as yet, I've not found it).

As, I said in a previous post I was never quite sure what to do with them. In my opinion, they are impractical as diaries. Anyway, I've come up with the answer; TV drawing.

Judge Judy

When I'm not doing my usual highly laboured drawings I like to teach myself new things. When it comes to drawing I want to learn learn learn.

The funny thing is, when I was a kid I only ever drew people. Every time I doodled it would be people I'd doodle. Somewhere along the way I stopped doing that. Then when I took up drawing again, a few years back, I focused on objects and the everyday thing that we surround ourselves with.

Mastermind

So, I've been getting back into drawing people by doing these very quick sketches whilst watching TV. Sometimes I get totally carried away with it. Sketching every face that pops up on screen. I think I've filled about ten of the little Volant books so far.

I think I've learnt a lot by sketching in this way. It's almost the opposite to the way I normally draw. You never know how long that person has on screen so you have to work fast.

Oldschool Judge Judy

It's also good for those of us who might not yet be confident about sketching 'real life people'. Nobody is going to say "I don't look like THAT"!

Obviously, there are some programme's that are better than others. Some of my favourites include Mastermind (each contestant/model sits for two rounds, and you get two different camera angles), BBC News 24 (for the news reader and people they interview), Judge Judy (the camera focuses on both the plaintiff and defendant for a good length of time plus you feel less guilty about watching it if you have a reason like drawing), Question Time and I actually believe that I must be one of the only people in the country (I've never met another one yet) who watches the Parliament Channel.

Parliament Channel

There is the odd occasion when I do pluck up the courage to draw a 'real life human being' but it does help if they are asleep!

The train to Sheffield

I've uploaded a whole bunch of these people sketches (portraits, even!) to Flickr. You can see them HERE.

til my fountain pen runs dry

Inspector Endeavour Morse

This drawing is partly a gift for my, ridiculously young, friend's 21st birthday and partly a thank you for all of his help and hard work in setting up my exhibition earlier this year.

For some reason the scan of this portrait hasn't done it any favours. I found the same with the cat and dog portraits. The cross hatching looks quite flat. I don't know. Plus, I was way out of my comfort zone with this subject matter. But, for my first attempt at an 'orse I'm rather pleased, and so was his owner.

raising the spirit of peace and love

I've been playing the Plastic Ono Band album for about 6 months now. I'm completely obsessed with it. And, it hadn't even occurred to me that there were two significant anniversaries taking place this year. It's hard to imagine John as a 70 year old man. I guess he'll always be 40. And then there's today's anniversary. 30 years since his death. I remember hearing he had died before I left for school. I didn't know then how much he would come to mean to me later in life when I fell in love with music and, of course, the Beatles.

When I came into this world the Ballard of John and Yoko was top of the charts. That makes me happy.

i met a friend of spirit

James Alfred William George Galloway McAlistair ('Boston Jim')

Hailing from a small village in bonnie Scotland, James McAlistair, a determined and ambitious young political activist, set sail as a stowaway on a ship bound for the United States of America in 1773. On arriving at his destination he was discovered and thrown overboard, and found himself covered in tea.

After dragging himself ashore, and dusting himself down, McAlistair sneaked past the authorities and protesters and went into hiding. He lived on the streets of Boston for some weeks until he got back on his feet, found himself a place to stay and began work in the ship industry. He worked his way up from a tea boy to foreman. But McAlistair never forgot his roots, or the scenes and protests that met him on his arrival at the port. This, coupled with the way he saw other terriers being treated in the workplace, started him on his new calling.

'Boston Jim', as he was now known, travelled from town to town fighting for the rights of terriers throughout the sate of Massachusetts. He went on to become the founder of the Terriers Union that won the rights to a five day working week, two weeks holiday a year and a Bonio before bed time for terriers everywhere.

Original drawing for sale HERE.

no longer boyish

Here's a quickie. I did it quite some time ago. Probably, er, around the beginning of the year (yeah, the clue is in the drawing). It's another of those upside down portraits. Where you turn the portrait, you are copying from, upside down and draw it that way. As opposed to turning yourself upside down. That would be silly.

I copied from the cover of Rufus Wainwright's Poses album cover. Again, all the clues are all in the drawing.

I think he looks a bit girlie in it. And a bit younger. But I'm sure he wouldn't mind.

the day you happened to come by

I am so addicted to drawing people at the moment. I just cannot stop. These were all drawn on a block of post it notes, which I obsessively finished within a week. There are a hundred or more mini portraits all drawn from the TV. The challenge, I find, is not just a different subject matter, but the amount of time you have to draw. My trademark drawings are highly finished highly laboured pieces, so trying to draw something - someone - in a minute or two is part of the challenge but also part of the excitement.

Old politicians:

BBC news readers:
People from daytime TV:

and a couple of national treasures:

I still haven't plucked up the courage to draw real live people in real life. I mean, that would mean going outdoors, being in the company of people and all sorts of things that are alien to me. But that's the next step. So for now I'll keep drawing folk off of the TV.

Please don't mock me. These people are my only friends.

girl

Still trying to sort out my technical issues. Thanks for the advice which, essentially, was 'try turning it off and back on again'. I have tried that. I've even 'switched it off at the wall', but it hasn't worked. Hmmmm. I have a temporary fix so that I can make some posts over the next few days, but I think that it is just temporary.

Anyway, for now, here's a girl. On a post it note.
A post it note portrait. And here's a previous post poem (if you don't know what I'm talking about just take a look at titles to the previous posts);

Girl,
I'm walking down your street again.
Singing with my feet.

The world is turning, but I get so blown away.
I know that's who you are.

I want you, I want you so bad.
It's written in the stars.

aware of the muse

Regular visitors may have noticed that I don't draw too many people. I find it quite a challenge. I am never happy with what turns up on the page. I do practice at it, though. Behind the scenes. I just don't share. But what the hell. So, here's John and Paul. Lennon and Weller, that is.

I have just finished the first sketchbook. These a couple of the better ones (I know, imagine the worse!). I know that when it comes to drawing people, photo realism is definitely not for me. So I tried out a technique I heard of on Danny Gregory's blog, some time ago. It's the one where you draw the portraits upside down. Not me, I wasn't upside down, silly. You turn the photo, that you are copying, upside down. It's really really good fun. So, even when the drawings turn out crap, at least you've had a good time.