Showing posts with label Victorian. Show all posts
Showing posts with label Victorian. Show all posts

Sunday, January 04, 2015

back in the old folky days

Happy New Year folks!
As I said in a previous post, I've been making some changes to my business (and life) recently. Some leaps of faith. Which all ties in nicely with the New Year and new leaf/chapter/beginning.
Here's something I've never tried before; bespoke, made to order original drawings. Not just bespoke drawings, but, bespoke pet portraits (and that's something I never thought I'd hear myself saying). They are, of course, pet portraits with a difference. They are kind of like drawings of your pet's ancestors. With a little imagined (by me) biography of said pet ancestor.
 
Where and how the hell do I come up with these ideas?
Anyway, you can get a bespoke, Victorian, made to order, portrait of YOUR pet HERE!
No, really.

Wednesday, October 15, 2014

the changing man

Here's just a little (it's all relative) something I knocked up in my sketchbook.
The story of the drawing goes a bit like this...
Sometime back in May I went to my friend, and Dr Sketchy partner, Lara Gothique's fabulous vaudeville extravaganza (I do love that word, extravaganza. In fact, I love both of those words; vaudeville and extravaganza) called Cupid Stunts. I sketched the whole show that evening. I came away with a load of drawings. Over twenty quick sketches.
One of the fabulous artistes that night was a Victorian strong man called Sir Leopold Aleksander. I got a good handful of sketches of him. They were pretty much all as below - simple line drawings.
Over the last couple of weeks, as I have been living a life of sobriety, I seem to have a bit more time on my hands in the evenings. Time to do the things I've wanted to do for ages but not got around to because wine got in the way. Time to go back through my sketchbooks and rework some of those quick sketches that needed a bit of the AJ treatment. So that's what I did with the, now, tattooed gentleman above, and, at some point, will do with the sketch below. Sure, they don't exactly look like the Victorian gent, but that's what happens when you a) sketch in the dark and b) complete the illustration using only your memory and a lot of imagination. And, that's what I love about drawing.
Thanks to Sir Leopold for the use of his body(?!)
Thanks to Lara for her fabulous show.
And thanks to Go Sober For October for giving me the headspace to draw instead of drink wine! 
If you can spare a bob or two please donate to my sobriety challenge. I am raising money for MacMillan Cancer Support. The most worthiest of causes. You can do that HERE.
And if you'd like to see a vaudeville extravaganza, and are in Sheffield next weekend (a long shot, perhaps), Lara is putting on another. Check it out HERE. Take your sketchbook!

Wednesday, May 07, 2014

cupid stunts

On Saturday night I went to sketch a Vaudeville extravaganza in the gorgeous Art Deco Library Theatre in Sheffield, called 'The Velvet Burlesque presents Cupid Stunts'. The show was all down to the sheer hard work and creativity of my Dr Sketchy partner, Burlesque teacher and performer, Lara Gothique.

I sketched the whole show, from beginning to end.
I sketched from before the doors opened...
 To the audience members arriving...
Some of them dressed to the nines...
 I sketched all the amazing acts. From fabulous Burlesque...
to a Victorian strongman.
And, I also sketched all those unexpected moments, that didn't go quite to plan, in between... 
 Plus, I sketched the audience's reaction to those moments...
 
I've wanted to sketch a whole show like this for a while. It's fast furious drawing. These are just a fraction of the sketches I made. Not bad for, basically, drawing in the dark.
 
Next time I'd like to venture backstage and draw the build up to the show too. Really get amongst the sequins and feathers. What do you think, Lara?

Friday, September 10, 2010

i met a friend of spirit

James Alfred William George Galloway McAlistair ('Boston Jim')

Hailing from a small village in bonnie Scotland, James McAlistair, a determined and ambitious young political activist, set sail as a stowaway on a ship bound for the United States of America in 1773. On arriving at his destination he was discovered and thrown overboard, and found himself covered in tea.

After dragging himself ashore, and dusting himself down, McAlistair sneaked past the authorities and protesters and went into hiding. He lived on the streets of Boston for some weeks until he got back on his feet, found himself a place to stay and began work in the ship industry. He worked his way up from a tea boy to foreman. But McAlistair never forgot his roots, or the scenes and protests that met him on his arrival at the port. This, coupled with the way he saw other terriers being treated in the workplace, started him on his new calling.

'Boston Jim', as he was now known, travelled from town to town fighting for the rights of terriers throughout the sate of Massachusetts. He went on to become the founder of the Terriers Union that won the rights to a five day working week, two weeks holiday a year and a Bonio before bed time for terriers everywhere.

Original drawing for sale HERE.

Wednesday, July 21, 2010

you're a rare rare find

Sir Wilfred Digby Jones McPickles

You know, I'd really love to have a dog. I would like a dog not for the companionship, or to get fit, I'd like a dog so that I could dress him up as a Victorian gentleman. Then I would get him to parade around the house with my cat, who would be dressed in crinolines. Just for my amusement. Until that time arrives I've drawn them.

The phrase 'what am I doing with my life?' comes to mind. Again.

Lady Flora Josephine Fossington Smythe

Actually, when I was away, a month or so ago, I was working on a book deadline. I'm not sure how much I can say about it yet, but as part of my research I found myself looking through lots of Victorian and Regency silhouettes. There are some stunningly beautiful examples, and I'd recommend doing a little research (Googling) yourself. I think you'll be inspired. I was. It's also how I'm trying to justify these two drawings.