every dune that we fell into left a mark upon us too

Where did June go? Did anyone see where it went? I'm sure it didn't happen this year. It must have been cancelled.

Guys, I'm currently slap bang in the middle of a couple of amazing projects that are happening NOW. Like, right now. Firstly, that fine figure of a man, above, is none other than Danny Gregory. One of my drawing heroes. The guy who created Everyday Matters - which is where I my drawing journey began way back when, eight or nine years ago. I'm rubbish at dates. But anyway, anyway, I can tell you it was quite a moment for me to be asked by Danny to become a teacher at Sketchbook Skool. It felt like coming home.

The new semester starts TODAY! You can see the fabulous new website, and get your place on the course, HERE. I'll see you in class. Make sure you're on your best behaviour!

Then, as if that isn't enough, as if that isn't crazy enough, a couple of days ago my bookbench hit the streets of London. Yes, she has left home, flown the nest, and gone to the big Smoke to try and make her fortune. I just hope she doesn't end up living on a park bench. Oh.

You can see another spanking new website with the whole story about this Books About London project HERE and read all about my bench HERE.

If anyone should visit my bench (it's in Greenwich from July-September) please take a photo of yourself at the bench and send it to me. I'd love to put a little album of them together.

I will be back with actual drawings soon. I do have new stuff to post. I just need the time.

June? Anyone?

tulips (drawings) from Amsterdam

Last weekend I had a trip to Amsterdam to film my classes for Sketchbook Skool. I'll be a tutor in the second Semester, which kicks off on July 4th. I was met by the co-founder of the skool Koosje Koene and we spent two full days of filming.

I have to say I was more than a little nervous. I am not a natural in the front of the camera, in fact it's probably one of my biggest fears so if you are signing up to the second semester then please understand!

I really enjoyed the whole project, though. More than I thought I could, which was thanks to Koosje. I think we worked well together and I hope that my videos will be enjoyable, informative and useful, despite my awkwardness.

As well as filming we got to hang out in Koosje's neighbourhood a little. We ate some great food (those guys really know how to eat well) and, of course, we did a little bit of drawing.

I remember, at one point, discussing, with her, some of the other sketchers I'd met over the last few years and saying "some of them are REALLY obsessive, really hardcore sketchers". I then proceeded to make 17 drawings in my short stay! Turns out I might just be a little bit obsessive myself.

Here are thirteen of the sketchbook pages I made. I also did a couple of 'finish at home' jobbies - which I'll post later. And, of course, one drawing that will be revealed at Sketchbook Skool. The other sketch I made was so bad NOBODY will ever be seeing it. Koosje asked what I do if one of my pages goes wrong. I said "collage". Her musician husband, Pascal, said "ah, in music we call it a medley". I liked that quote.

One evening we sat outside a great restaurant, in the sun, where Koosje and Pascal are regulars. I drew the  guy in the cap, below, whom Koosje called 'an old sock' - which is an expression for a young guy person who has an old soul (I guess). Again, I liked that expression and the magpie in me will be flying off with these and storing them for future use.

Koosje also remarked on how quickly I made my sketches. That, again, is something I'd never noticed about my own drawing. And it came as a surprise to hear, as over the past few years I've sat labouring over drawings that take hours and hours and hours. But, she is quite right. It's true.

I've taught myself how to draw really quickly more recently. Yes, I still do my long highly worked-up time consuming drawings, but I've also learnt to capture things as they are happening. It's not only a totally new way of drawing for me but it has also opened up a whole new way of seeing the world. I'll tell you how I did that sometime - but that's another film/class/blog/song.

So, that was my weekend. I had no idea at the beginning of May that I'd be making this trip so it was an unexpected surprise. I also got an extra day in Amsterdam to wonder around, in the sunshine, drawing whatever took my fancy.

When I look at the drawings I made there it makes me realise how far I have come in the last few years. Just two or three year ago, I'd never have been able to do this stuff. I'd never have drawn people on the plane, in the park, having coffee. But that's what keeping a sketchbook or illustrated journal does. It's not just a place to document your life, but also somewhere to work on your skills and techniques.

 And, just one more observation I made on this trip; if you ever thought that being cabin crew was a glamorous job then you ain't ever been on the weekend stag-party flights from the UK to Amsterdam. Those guys deserve medals.

some moments that i've had

A couple of weeks ago I went on a little mini holiday. Holidays have been few and far between for me recently and almost all of the trips I've made, in the last few years, have been work related. I'm not complaining, I love any kind of travel. Work related or not.

But, there's something that I've been itching do for a while and that's journal a trip. A whole trip. From start to finish. If you are working and travelling that's more difficult to do, I find, because you are either planning or, er, working. So, this little mini break was my opportunity, and, I thought I'd share that with you. From start to finish.

I'll begin with the things that I took with me (I'm talking pens, sketchbooks, etc, and not how many pairs of knickers). Oh, firstly, I should say that as reading material I took Danny Gregory's 'An Illustrated Journey'. This is the first chance, since receiving my copy, that I've had to sit and read and study the book. It was a great travel companion.

Right then, pens and pencils. At this point, I should mention, that I'm not really best suited to drawing en location. You might be able to see why. Yep, simply because I cannot make a decision. Ever. About anything. That tends to be an issue when I'm drawing and travelling; I cannot decide what to take so I just end up taking loads of stuff. Perhaps it's because I'm not that experienced at outdoor sketching yet; I haven't narrowed down my tools. Or, perhaps it's because I cannot make a decision. Ever.

(above, from left to right);

1. a set of pencils (not the ones I use at home - jeeez, I'd need another suitcase if I took those - just a relatively cheap set that I bought many moons ago and have never used)
2. a box filled with various brown, green and natural coloured pens
3. a pencil case of blue ballpoint pens
4. some black fine liners and pens.

And, so to the paper. Recently, I've been using these notebooks for making quick sketches in. My normal sketchbook of choice is the Moleskine, but, these days, I've been trying out other stuff. I read, in An Illustrated Journal, an artist say that they liked the Moleskine because it was like a novel. I completely relate to that, that's exactly what I love about them, but, also, that's the reason I didn't want to take one. I tend to get a bit geeky about the work I do in my Moleskines. I take too much care in them because I'm always seeing the book as a whole. So, I wanted to take something where I could be more, er, um, carefree (?).

 So, I found these notebooks in my favourite shop, Atticus Boo, where I buy all my sketchbooks. I found them whilst looking through their selection of gorgeous stationery. I'd never heard of this brand but knew that they'd be quality as everything in Atticus Boo is. I've given this series of books the title 'some moments that I've had' because they are filled with (sketched) moments that I've had - and, more to the point, because it's a beautiful Kate Bush lyric.

 I remember the firs time I bought one and opened it up to find this little piece of poetry on the fly leaf. It's those tiny little surprises, those little moments, that I love and that spark my imagination and creativity. The lush paper comes in a range of colours. So far I've completed one with a dark cream paper and a blue lined paper. The one I took away with me, this time, was the off white virgin paper you can see below.  

 It's not a sketchbook so I've come to accept that the paper cannot handle the amount of ink I throw at it without bleeding, a little, through the page. But I don't mind. I kind of like it, in fact. Another piece I read in An Illustrated Journey, by the amazing Fabio Consoli, he says 'Energy doesn't come from the pride of having a nice drawing but from the act of drawing it, the act of doing and living in the present, the here and now'. I like that I can be less precious, in these notebooks, than I am with my Moleskines. There's a place for both approaches in my life.

This is the label on the back and might help you if you are a notebook nerd and would like to track them down. I recommend them.

Well, this post was never meant to be soooo long. But, finally, I'm all set and ready to hit the road. Next time I'll show you some of the drawings from my trip and from this journal - if you haven't already lost the will to live. To be continued....

i'm not out to convince you or draw upon your mind

 Finally, it's here! Yes, my copy of Danny Gregory's new book 'An Illustrated Journey' has arrived. And, somebody can't wait to see inside.

And, I don't blame her. It really is amazing. Really, I'm not just saying that because I'm in it. It's page after page of gorgeous sketchbook artwork. A cornucopia of carnet de voyage.

 My pages are nestled inbetween Cathy Johnson and Tommy Kane. Can you imagine that? Way back in my own (illustrated) journey I'd marvel at both of their work and dream of, one day, being a teeny weeny bit as good as them.

 Plus, there are just SO many other artists that I adore. ADORE, I won't mention any for the fear of leaving some out. You'll just have to get your own copy. It's worth every penny.

 A huge thank you to Danny for including me in this book. Now, I'm off for a cuppa. Then I'm going to sit down and travel the world, because somebody is just not prepared to wait any longer....

Oh, and you can get it HERE.

it's an old romance, it hasn't gone to sleep

Hey guys, just thought I'd let you know that not only does Danny Gregory have a new book out but I'm featured in it. And, I'm pretty damn well chuffed. It was finding the Everyday Matter's group, all those years ago, that kick started my own creative journey. Plus, I'm snuggled under the covers with artists that I totally adore. Read more on Danny's blog. Cannot wait to get my copy.