i've seen that road before

This is one of my favourite recent drawings (or urban sketches as they now have to be called). I made this at the end of a long day. I thought I was all drawn out, but I found a window seat in a café directly across the road from this lovely pink building.

A couple of weeks ago, I blogged about how much my work has changed and in the comments somebody (another Andrea) said "There's a certain element to your style - organicness (? if that's even a word) which does link it all (old and new work) together." I liked hearing that. From the very beginning, and all of the drawings that I made came from an authentic place, and even though I wouldn't want to - couldn't even - draw in that way anymore, it still is very much part of me and my work. I wouldn't want to deny it or try to erase it. So it pleases me to know that others can see that link. I do. 

I think then, and now, I was always trying to achieve the same thing; I've always been trying to make the drawings that I would have loved as a kid. The kind of drawing that would have made the young me want to draw. That's always my in my mind. Well maybe not my mind, I'm not consciously thinking about it, but that aim is somewhere inside me. I think that this drawing is a favourite of mine because, I reckon, the young me would have loved it.

Somebody also recently said to me "there is no such thing as art it's all nostalgia". It's quite a bold and perhaps controversial statement. It's something I've thought about a lot since hearing it. I think I agree. 

how to make an urban sketch in ten easy steps

How to make an Urban Sketch (in the North of England in Autumn (i.e. it's cold)) in 10 easy steps;

(Optional step; Turn up to the location and realise you've brought all your inks but no pen. No really (I told you I was a rubbish urban sketcher). Go buy pens)

Step 1. Find a coffee shop with a window seat and a view

Step 2. Have a coffee and sandwich. This is one of the more complicated steps; I'm in the Northern Quarter, of Manchester, so will have to decide between ten different coffee beans, made in fifteen different ways, then there's the bread...sour dough, brioche, rye....

Step 3. Make a mess of the table

Step 4. Ah shit. Why did I put colour on it?

Step 5. Have another coffee. And a Danish pastry. Try to hide the mess you've made of the table when they bring it over.

Step 6. Add lettering to try to take away the focus from the awful colour work

Step 7. Pigeons

Step 8. Scrub the table then go outside and take the obligatory out of focus urban sketcher photo, whilst holding your book in front of the building with one hand and trying to take photo with the other hand whilst worrying that somebody is going to snatch your phone.

Step 9. When all else fails go shopping

Step 10. Reassess at home over a cup of tea. Followed by either throwing it in the bin or feeling a little bit smug.

On Henry Moore and stuff

A few weeks ago I visited the fabulous Yorkshire Sculpture Park with Urban Sketchers Yorkshire. I love this place, plus, even better, there was a Henry Moore exhibition. 

I came to Henry Moore later in life. In the last couple of years, actually, I'm pretty sure it was on my first ever trip out with the Urban Sketchers to the YSP. Anyway, wherever whenever, now I'm a big fan. 

It's just SO drawable.

Earlier this month, when I had a grip on #Inktober - before it ran off in all directions - and I was doing an ink drawing a day, I came across my Moleskine watercolour sketchbook.

It hadn't been used much at all. In fact I hadn't seen it for years. But when I opened it I found this wash (above). Now, I have no idea what I was thinking way back then when I put it on the page, but just looking at it with all that time between us, I could only see one thing. You're thinking the same, right?? You can see it too, yeah?

Yes, exactly. 

So I came up with my very own Henry Moore reclining nude. An Andrea Joseph inspired by Henry Moore for day nine of #inktober

inky update

I'll be honest, I have no idea where I'm up to with Inktober. But that doesn't mean I'm not inking away. In fact I haven't stopped. 

And my love for ink grows by the day. I've always loved the intensity of ink, and have used it in the past, but always ended up drawing with my paint brush in a very controlled way.

Last weekend I was lucky enough to take an expressive ink workshop by talented fashion artist and illustrator Tracy Fennell. I absolutely loved it. I really feel this is what I've been looking for.  

I'm always trying to improve my skills, always wanting to learn new things when it comes to illustration. I love drawing so much that I just want to keep learning. I want to learn anything and everything. 

So, yes, I'm very much loving ink and Inktober - even if I have no idea where I'm up to. 

raining cats and dogs

Still keeping up with #inktober (just about) and the last few days have been all about cats and dogs.

Not sure where it came from, some dark recess of my mind no doubt. Actually this poodle has been trapped inside trying to get out for ages. 

I've also been trying to work outside of the sketchbook. Not that I'm giving up in the sketchbook. NOOOOO way. I'd never do that, my sketchbooks are my favourite places to draw and that was the problem.

I just felt I couldn't draw outside of the sketchbook. And when I feel like that about some drawing related thing, these days, I challenge myself to....well....challenge the 'I can't' thoughts and feelings. 

So, with that in mind, I've decided to use up all of the scraps of paper I have around the house. It started with my bicycle challenge (the one where I felt I could never draw a bike so I drew fifty in a few weeks. Actually, I'm not sure I've blogged about that yet) I gathered every bit of blank paper in the whole house and have started drawing on them. 

A friend of mine bought this 1920s music paper for me so I drew on that. I drew on the cardboard backs of sketchbooks. And on brown paper. On old water colour pads. Anything that's been hanging around. It's getting drawn on.

 Like this poodle, if it's a bit of paper that can be drawn on then it won't be hanging around for long. It's going walkies.

 

Cat and dog drawings available HERE.

Inky October

#Inktober Day 2 

In my quest to blog more (this always goes 'tits up' as we say in the UK) I've got on board with the whole Inktober thing. A day late, but I'm on board now. 

#Inktober Day 3 

Now, I'm truly rubbish at doing these things. Almost as soon as I commit I start resenting having to do a drawing a day for a month (or however long the thing is that you've signed up to) and then it just becomes a massive chore. But it has been a while since I've committed to any such thing, and I draw everyday anyway, so I'm giving it a bash. How hard can it be?

#Inktober Day 4

Another reason that participating in Inktober makes sense is that I am going to be taking a couple of Tracy Fennell's ink workshops during October. I really feel that need to push my work in a new direction. To take it somewhere exciting and I've always been a massive ink fan. So, no doubt, after the classes I'll be itching to experiment with all the new techniques.

#Inktober Day 5 

So that's the story so far. I'll post the rest as I go along. I will, I will, I will *trying to convince myself*. 

Some of my Inktober sketches are for sale, in my Etsy shop, HERE.