take me up to the top of the city

So, it's nearly time to say goodbye to August, and summer, and Hello September. I like September. It feels like a month when changes can and will happen and I always welcome that. Plus, autumn is most definitely my favourite season. Even the word 'autumn' is lovely.

September, before it has begun, has a theme to it. I am paying three visits to our capital - which feels exciting and sounds expensive. At the end of the month I am going to see, and I can't quite believe I'm saying this, Kate Bush in concert. I know, how crazy is that? I hope she hasn't had a big strop by then and called the rest of the dates off. You wouldn't put it past her. And, I love her for that.

Mid month I am finally going to see my bookbench. It's been a long time coming, but at last, just days before it retires from the city, I'll get to see it, in situ, on the streets of London. Well, actually, in a churchyard in Greenwich. The photo, below, was taken by, and of, a couple of friends who recently visited.

Then there's next weekend and a rather fabulous opportunity that presented itself to me. You know, sometimes, a little gem of a 'job' pops up in your inbox? Sometimes, you don't even take it seriously because it sounds too good to be true? Yeah, that.

Next weekend, on Saturday 5th of September, I will be drawing for, and representing, MOLESKINE and URBAN SKETCHERS in COVENT GARDEN. It's true! Please come along. We're there all day for a big old sketchathon. Come! Draw! Plus, rumour has it, that there may just be free Moleskines. Oh yes. You'll need to get there early to catch one of those lovely worms.

Oh, oh, and I forgot to mention the rest of the Covent Garden sketching team. I'll only be sketching with, ahem, Urban Sketching correspondents Adebanji Alade, James Hobbs, Olha Pryymak. Eeeeek! I already feel like a fraud.

Full details of the event can be found HERE. Even though our Learning Sessions are sold out still come along. We'll all be hanging out, sketching, all day. Hope to see you there.

many dreams have been brought to your doorstep

Over the years I've heard many people say that they find starting a new sketchbook the hardest part. They become frozen with the fear of messing it up. Especially, it seems, when it comes to Moleskine sketchbooks. Why is it that they are so intimidating? Is it because of the history of Moleskine? The prestige? Or is it just 'cos they are not cheap that makes you want to take extra care? Funnily enough, I never have that problem. I LOVE to start a new sketchbook. I (almost) cannot wait until I get home. I'm scribbling my name in it in the car (almost). No, I have the opposite problem.

This is the last but drawing of my travel themed Moleskine. There's just one more little page to fill. It's a travel sketchbook with a bit of a twist as I've created all the drawings at home with the souvenirs and memorabilia that I have brought back from my trips. Actually, not just my trips. This book also contains souvenirs from my friends travels too. That's the good thing about being a memorabilia artist; people always seem to bring me bits and bobs back from their trips. For example, a friend brought this back from the Leonardo da Vinci exhibition at the National Gallery, London, earlier this year.

I started this Moleskine on the 29th of April 2009. I cannot even begin to think of how many hours work, and love, have gone into it. I think that it is my favourite sketchbook so far. In fact, it most definitely is. I am very proud of it. And now there is just one more page to go. Will I ever finish it?

You can see the whole of the sketchbook (minus that last blank page) HERE.

Roll up! Roll up! Come and see the amazing bearded lady (oops no, that was my last post)

This drawing had been sat, unfinished, in my travel Moleskine sketchbook for about 3 years. I'd committed to it by drawing in the tin and the outline of those little Seaworld sweets, but I had no idea where to go with it. Whenever I was working in the sketchbook I'd see it and it would depress me.

The unfinished drawing followed the page below, in which I am having a little rant about how upsetting I find seeing animals performing for humans. Of course, I'm not talking about our pets here. I regularly get my cat to juggle knives, and in a way I feel that's how she earns her keep. No, I'm being selective with my disgust.

Anyway, the other day I was flicking through this sketchbook again when it suddenly came to me. I knew exactly how I should complete the page. Rather than being concerned about my state of mind my first instinct was to draw it, and that's how I came up with a circus of performing (drawn) animals that are actually souvenirs from my travels. It all made perfect sense.

Actually, I do think that this is a way of dealing with those pages that sit unfinished, the ones that you feel are spoiling your sketchbook; just throw as much at it as possible. Give it all you've got.

Just one more page to go in this sketchbook! One more page and my first carnet de voyage, volume 1 (because there will be another) will be finished. How will I pluck up the courage to start that final page? What will I put on it? Hmmm, the possibilities are endless, if a circus of performing souvenirs are anything to go by.

I have two mini travel sketchbooks on offer HERE. Pop them into your the pocket of your Moleskine sketchbook for when you need a little bit of inspiration. Cheers, my dears!

wish i knew you well

I was going to say that this is the finished version of the drawing I posted part of a little while back. But now looking at it on the screen I think it could do with more shading; a little sepia to give it an antique feel. That's how I had seen it in my head before I began. Also, I always intended adding a handle because it is supposed to be a drawer full of souvenirs. Or, the handle could have made it look like a suitcase. And, I love that ambiguity.

I'm often asked how long my drawings take. Well, at a guess, this one took a mere fifty hours. To appreciate the obsessive attention to detail click on the drawing and stick your conk in. Please do; FIFTY chuffing hours.

Oh dear, it seems that some of you have having trouble enlarging this image. I'll try to fix it, until then you can see the bigger version HERE.

get it on

I've been doing so much of that very precise detailed drawing recently - the stuff that I'm probably best known for. But, I feel that I don't actually learn anything new from that kind of work. I guess that I'm always improving my technique but it's nice to have a bit of a change and do something a bit more freehand. That's what I did hear with these sugar sachets. I did draw around each of the sachets to get the shape but there were no pencils involved or any measuring up. I just drew. And that's refreshing.

This is another spread from my travel Moleskine. You can see the rest of that 'carnet de voyage' HERE.

where sleeplessness awaits

So I started this drawing about two or three weeks ago but unfortunately it's going to have to be put on the back burner for the next few days as a new, more pressing deadline has emerged from nowhere.

This is one of the most ambitious drawings that I've undertaken yet. It's on A3 paper which is double the size I normally use. Plus it's full colour. Thus far it has taken approximately 20 hours.

Anyway, I thought I'd take this opportunity to show you how I make these big mad drawings as it is a question I'm asked often. In the past I've been asked if I set up the compositions or whether I draw from a photo. The answer to both of those questions is no. I almost always draw from life.

What I do do is start with a couple objects (in this case the tram ticket, the Mary and baby Jesus and the seahorse) and then add the rest around them. I place the other objects on the paper, mapping it out piece by piece. It's almost as though the composition works itself out. I love drawings like this. I love the way they reveal themselves to me, the way they unfold in front of my eyes.

i've been whistling down the street

It wasn't until the day I was leaving Clermont Ferrand that I realised that I hadn't bought any souvenirs of the trip. We'd been so busy at the exhibition that I'd forgotten - which is ironic as I was there to exhibit my travel sketchbook that was themed 'souvenirs of my travels'. So on our final day we had an hour before we had to be the airport to find some souvenirs.

Luckily my stadar (a kind of radar, or gaydar, that detects stationery outlets in the vicinity), which had been going off for the whole trip, pointed me in the direction of a great big stationers close to our hotel. Now, for me, stationery plus souvenirs ticks so many boxes I couldn't have been happier.

So, here are my souvenirs of Clermont Ferrand; a half blue and half red pencil, two stencil maps of France and a ruler. Mission accomplished.

I'm not so happy with the blue and red drawing, above. No doubt I'll mess around with that some more in the future.

Of course, there are also all of the sugar packets, napkins, tram tickets, receipts, bills and business cards I also collected during the trip, but hey that's another drawing. Or six.

These drawing are a part of my aforementioned souvenir themed sketchbook. You can see the rest of the series HERE.

your smiles and shells

Another new one from the travel sketchbook. Or, at least, it will be new to you if you weren't rifling through my Moleskine over the weekend.

This one is one half of a pair of drawings. You can see the other half, and the rest of the travel sketchbook set, HERE.

my little box at the top of the stairs

If I'm honest this isn't actually my little box. I've also taken to drawing other people's souvenirs in my quest to fill my travel themed Moleskine. This box of crap, I mean beautiful collection of memorabilia, accompanied my friend Tim home from his world travels. I am a big fan of tat and have wanted to draw this for the longest time.

Actually I've probably wanted to use this blog post/drawing title for even longer than I've wanted to draw his little box, so to speak.

the way i feel from day to day

Before I signed with my agent I visited her at her home and we went through all of my drawings, so that she could get an idea of where my work was at and where it might go. When she saw the many drawings of collections, that I create, she said "These drawings look like endpapers. Beautiful endpapers, but endpapers all the same". I have to agree. They do.

You see, I absolutely love endpapers. I've bought many a book on the strength of the endpapers alone. They are often my favourite part of a book. Just Google image 'endpapers' and, if you are anything like me, you'll be drooling for hours.

It got me thinking that my most perfect job in the whole world would be an endpapers illustrator. Seriously, I couldn't think of anything better. So, if you hear of any endpaper-drawer jobs going please let me know. In the meantime here's a couple more from my travel Moleskine.