Ink on Kinder

Hello, it's me and I'm blogging and I'm still doing daily inky things for #inktober. Yesterday I did inky things up a mountain. Or a Peak. On Kinder Scout to be precise. 

Landscape probably wouldn't be my subject matter of choice, but I'd never rule any subject out. These days I love to tackle something I wouldn't normally tackle. 

But I don't really know how to approach landscapes, that's the problem. Or the challenge. 

So, I approached these rocks and this landscapes in the way I know how, by seeing them as a 1950s textile design. Did it work? I dunno. 

To be honest, I don't care. I had fun trying. And that's what #inktober is about for me. That's what drawing is about. 

one of the issues of working with marker pens

That is all.

Bugger.

can't talk now I'm sketching a band

Here's another sketching opportunity that came my way recently, I got to go into a studio to sketch band. A local band, including a couple of members I know. I realised that I've never actually been into a studio before. I could have spent hours, days, in there drawing all the equipment.

 I have some larger drawings that I made in my Moleskine sketchbook, but these drawings I made in a cheap little pretend Moleskine that was about a quarter of the price. I'm not somebody who moans about the Moleskine sketchbooks being expensive. I actually don't think they are. Or, at least, for me it's well worth the price for the amount of time, effort and love I put into filling them. But, there is something to be said for these cheaper sketchbooks. You're less precious about them and about wasting the paper which gives you the freedom to make different kind of drawings. More sketchy, I guess.

Anyway, here are some sketchy sketches. And, here, if you are interested are the band, Sharma. If nothing else just check out this first track. I think they're good. Really good. You can watch them HERE.

just a little green

These are my Day Three sketches of the Post Three Sketches in Five Days challenge.

Today I chatted with Koosje Koene, one of the founder members of Sketchbook Skool, on Skype, and we caught up on all sorts of things that had been happening, for both of us, since I went to Amsterdam last year to film my classes for Sketchbook Skool with her. It was good to talk. You know when just chatting with another person who has the same interests and passions as yourself can give you a boost? It can be uplifting and, well, the conversation left me feeling all inspired. So, it felt fitting to post these three sketches, that I made whilst I was there, in Amsterdam with Koosje, today.

If you are unaware of Sketchbook Skool (is there anyone who hasn't heard about it yet?), well, it's this online school where all the tutors are sketchbook artists from around the world. An eclectic mix of tutors who are pretty much obsessed with creating sketchbooks. In fact, there's no pretty much about it, they're totally obsessed with creating sketchbooks. And, that includes me! Yes, I'm one of the tutors on the 'Seeing' course which starts on Friday. Still time to sign up. You can do that, and find out more, HERE.

you should draw me

I feel like I haven't sat down and actually created a 'proper' drawing, or worked on a project, in ages. Life, and making a living, has got in the way of that.

Not that I've stopped drawing, I've never drawn as much. And, I'm loving drawing in a different, faster way. I do long, though, to just sit for an entire afternoon or weekend, week even, and just work on a big mega drawing. The kind of thing I can get lost in.

 But, I need to capitalise on this time of year. That's the reality, right now. I've finally just begun, after a couple of years of real hardship, to see the wood for the trees and to really start thinking like, and seeing myself as, a professional artist/illustrator. Whatever that is.

 And, now, I've forced myself into a situation where I have to make money from this. Which is a good thing. A scary thing, but a good thing.

Before I was just selling online to top up my wage, now my wage tops up my selling online. The balance has shifted. And, I'm no longer just selling online, recently I've been selling offline too.

All of these drawings were made over two days, and two art fairs, last weekend. I've come to realise that I need to sell myself in lots more ways (not like that), to keep a roof over my head.

It's not easy to see your work in those terms; as a saleable product. Well, at least, I don't find it easy. But that is the reality of it.

It's been a long time coming too. I've been talking about it for way too long; taking steps to turn professional. And, it hasn't been the greatest of timing, on my part, in this recent financial climate. But, there's something about the struggle that makes it even more 'rewarding' (that's not the right word, or not the word I'm looking for, but it's late at night and I'm tired).

So, I've been getting my work out there, and, actually, even if it still feels uncomfortable selling me, I couldn't love sharing and talking about my work more. 

I'm constantly amazed anyone wants to know.

My plan for 2015 is to get better at all that stuff. The presenting of my work, that is. I've had a practice run this year, but I want to make my 'show' bigger and better. I want it to be a visual treat, to compliment my sketchbooks.

I want to make lots more lovely creative products that show off my drawings. And, I want to get out there, further afield, and meet and share them with more people.

And, I want more adventures. So that when I finally get back home,

to sit and draw, I'll bring all that I've learnt and seen back to my work. And make it richer than ever.

Looking forward to the New Year already.

I had no idea where this post was going when I started it. Absolutely none. I'm glad it ended on such a positive note. I think I've inspired myself!

the changing man

Here's just a little (it's all relative) something I knocked up in my sketchbook.

The story of the drawing goes a bit like this...

Sometime back in May I went to my friend, and Dr Sketchy partner, Lara Gothique's fabulous vaudeville extravaganza (I do love that word, extravaganza. In fact, I love both of those words; vaudeville and extravaganza) called Cupid Stunts. I sketched the whole show that evening. I came away with a load of drawings. Over twenty quick sketches.

One of the fabulous artistes that night was a Victorian strong man called Sir Leopold Aleksander. I got a good handful of sketches of him. They were pretty much all as below - simple line drawings.

Over the last couple of weeks, as I have been living a life of sobriety, I seem to have a bit more time on my hands in the evenings. Time to do the things I've wanted to do for ages but not got around to because wine got in the way. Time to go back through my sketchbooks and rework some of those quick sketches that needed a bit of the AJ treatment. So that's what I did with the, now, tattooed gentleman above, and, at some point, will do with the sketch below. Sure, they don't exactly look like the Victorian gent, but that's what happens when you a) sketch in the dark and b) complete the illustration using only your memory and a lot of imagination. And, that's what I love about drawing.

Thanks to Sir Leopold for the use of his body(?!)

Thanks to Lara for her fabulous show.

And thanks to Go Sober For October for giving me the headspace to draw instead of drink wine! 

If you can spare a bob or two please donate to my sobriety challenge. I am raising money for MacMillan Cancer Support. The most worthiest of causes. You can do that HERE.

And if you'd like to see a vaudeville extravaganza, and are in Sheffield next weekend (a long shot, perhaps), Lara is putting on another. Check it out HERE. Take your sketchbook!

get out of town, think i'll get out of town

 Here are the two sketchbook spreads that I mentioned in my last post. Both were made whilst in Amsterdam filming for Sketchbook Skool and both were finished when I got back home.

The top drawing is a drawing that I wanted to make when I went to Amsterdam. I guess I wanted to make it before I went out there. I knew that I wanted to get at least one drawing of those old Dutch tall, thin houses along the canal banks. But, that's not all. When I saw this drawing in my mind, this is the style and these are the lines I wanted to achieve. And, that doesn't always happen. Sometimes, I have no idea where the pen will take me.

The second is a sketch I made at Erasmuspark in Amsterdam. I just added colour pencil at home. I shouldn't have bothered with the lettering though.

long may you run

Last Saturday we, at Dr Sketchy Sheffield, held an event celebrating the art of tattoos. I'd been wanting to do a tattoo themed event ever since I took over the running of the branch with my co-co-ordinator Lara Gothique. The idea of drawing people who are covered in drawings really does it for me.

Plus, it was a great opportunity to get some male models on board. We haven't had anywhere enough guys modelling for us - although they were pretty hard to convince. Who'd have thought these inked up guys would be so shy?

We had a great mix of guys and girls. I did these black and white drawings at the event. I added colour at home, later.

The other great thing about being the artist, in our partnership, is that I get to set some drawing exercises. My exercise for this event was to draw the (model's) body through the tattoos alone. It was more difficult to do than I'd imagined, and I still ended up adding some body lines to my attempt (above).

Despite my car braking down en-route, and being totally stressed out by that by time I got there, I still managed to get a whole load of sketches done. Many more than this in fact, but the rest were on a larger A3 sketchbook - and I'll have to get them scanned by somebody with an A3 scanner.

I'm always so impressed by the events we create. Obviously, it takes a whole lot of help from the people who get involved just for the love of the event. From the DJ, to the photographer, to the runners, to the sponsors, to the venue and the amazing models. We appreciate and thank them all. And, of course, to all the sketchers that come along and have fun, draw and ensure that Dr Sketchy Sheffield continues.

Plus, if that's not impressive enough, where else do you get to draw a tattooed Reverend? I'm guessing nowhere. I may be wrong, but if I were a betting woman I'd put money on it.

i want to do whatever common people do

I've been obsessing over this guy recently. I've always been a fan but, just of late, I've fallen for him in a big way. I don't know why that is. Maybe it's because I've recently spent some of my evenings in a seedy bouchon in France or because I have been designing and illustrating posters for the Dr Sketchy events that I co-run.

I've always been a big fan of poster artwork from the Victorian freak show posters to the drop dead gorgeous Art Nouveau. And, of course, Toulouse Lautrec. This really was art for the people. The working classes. The common folk. Of which I am proud to be one.

Here are some of mine. I can honestly say that I've enjoyed making these above all of the recent work I've made. I hope it shows.

And, now my mind is racing with ideas of creating a Dr Sketchy Sheffield does Toulouse Lautrec event. Now, there's a poster I cannot wait to make.

i heard it in the wind last night

Recently I've been getting out and about drawing in my local area. Not just sketchcrawling or urban sketching but drawing local people doing their thing. If you love drawing there's no end of subject matter out there. No end of people filling their evenings or spare time with whatever floats their boats - whether that be knitting or skateboarding or singing. I love this kind of drawing and, I find, it's always a bonus when there's music involved.

 

Here's just a couple of the many sketches I made at the High Peak Orchestra rehearsals.

up the Gherkin

Recently I've been organising the scans of all of the drawings I've made over the past few years and put them into folders and onto memory sticks etc. It's amazing the things you find to do when you have no internet. I came across a  bunch of drawings that I did for a job a few years back. It was for the launch of a new Cross pen (yes, THAT Cross pens). It was a great job. I was approached by Cross to make a series of drawings and to attend their launch night, at the top of the Gherkin (yes, THAT Gherkin). I had to draw a series of iconic buildings and I drew them in the only way I knew how - back then - in the form of souvenirs.

I remember it was a real quick turn around job and that I went right down to the wire with the deadline. Hell, I was still drawing them on the train down to London! So, unfortunately I didn't get to scan all the drawings. I'm particularly annoyed that I didn't scan the New York Museum of Modern Art in a snow globe. Still, it was one of those gigs that was a joy to do (and, let's be honest, it's not often you get to say that). Plus I got to watch the sunset at the top of the Gherkin and to see all the lights go on over London town.