the clay pot against the iron pot

A little while back I was asked why my book was more expensive in my shop as opposed to on Amazon. It is a good question. It is a fair question. I tried to answer it in an illustration. How else?

It is an issue that faces all of us that run a small business. There's no way of competing with the big guys, no way at all, there is no point in trying. But we do have an advantage over them and that is the service we give.

I am not making big bucks off my book, hell, I forgot to even mention, in this illustration, that I have to buy my book off my publisher in the first place - as well as the currency conversion and bank charges that that entails too. That's before the, above, process even begins. No, I'm just scraping by. Always just scraping by.

But when you do buy from a small business or independent seller/artist you are also supporting them in creating their work. Thank you for that. I really don't mind where people buy my book from. It is an honour that they do buy it at all.  

I'm glad I was asked this question. It's an important one and it gave me the chance to try and answer it. Quite coincidentally, I was chatting with my publisher, whilst I was in the middle of this drawing, about the price issue when he said "in French we say 'le pot de terre contre le pot de fer'. It's a kind of  David and Goliath" and that's how this drawing got the title.

canned

Thank you for all the lovely, supportive messages throughout my month of sobriety during October. I raised over £300 for the charity, Macmillan Cancer Support. All in all, I've been feeling rather chuffed with myself, for not only getting through the month but for really enjoying it. I've been feeling better than ever.

Then last weekend I somehow managed to drive over my new, uninsured, iPhone. I know, you really don't need to tell me; I am an absolute twonk. So, now I need to raise to money for myself. Over £300 just to pay off the trashed phone and then enough to get a new one (although this time it's probably not going to be a brand new iPhone).

Anyway, that is the reason that I'm selling off a load of original drawings. There'll be more going into my Etsy shop over the next few weeks and I've reduced the prices of the originals already in the shop. Today this one went up for sale. I do like this one, actually. I may have changed the pens I've used over the years, and the paper, and the way I draw, but I can't imagine a time when blues and browns are will not my favourite colour combination.

You can get your paws on this original drawing HERE.

ink on a pin, underneath the skin

A couple more of my posters for our Dr Sketchy Sheffield events. I just love doing this poster artwork. I've been wondering why I enjoy it so much. It's obvious really, that mix of illustration and text really floats my boat. Maybe I should hire myself out as a poster artist. Have an event that you need a poster for? I'm your lady.

You can read a post about one of my poster artist heroes, the legendary Toulouse Lautrec, and see more of my own creations HERE.

the road to Whaley Bridge

Some time ago, seven months ago in fact, I made this map for the Derbyshire Open Arts exhibition.

A little while later this phone box, above, arrived in the town of Whaley Bridge.

 The guys who were responsible (Whaley4Wards) for bringing the new old telephone box to town saw my map.

 And tracked me down.

And this was the result.

The telephone box became an information box

and I made a new map for it.

The only problem I have, though,

is that there were lots of photos taken

and I'm spoilt for choice

and want to post them all

but I'll leave you with the best...

Photography by Chris Tetley.



November November

November was a good month. A good creative month; book launch; book signings; foreign travels; exhibition; collaborations; Dr Sketchy; school visits; Uni visits and all wrapped up with a Sketchcrawl on Saturday. I need more Novembers. But with more sleep.

i want to do whatever common people do

I've been obsessing over this guy recently. I've always been a fan but, just of late, I've fallen for him in a big way. I don't know why that is. Maybe it's because I've recently spent some of my evenings in a seedy bouchon in France or because I have been designing and illustrating posters for the Dr Sketchy events that I co-run.

I've always been a big fan of poster artwork from the Victorian freak show posters to the drop dead gorgeous Art Nouveau. And, of course, Toulouse Lautrec. This really was art for the people. The working classes. The common folk. Of which I am proud to be one.

Here are some of mine. I can honestly say that I've enjoyed making these above all of the recent work I've made. I hope it shows.

And, now my mind is racing with ideas of creating a Dr Sketchy Sheffield does Toulouse Lautrec event. Now, there's a poster I cannot wait to make.

i get my back into my living

A huge thanks for all of the comments and support, in my last post, for my new book. I am very touched. It'll be a whole load of new excitement, as will going to France to publicise it. In all honesty, I'm totally exhausted just thinking about it. But in a good way.

 I seem to be working non stop these days. Burning myself out, not getting enough sleep. But, I don't think there's any other way if I want to make a living and career out of this illustration lark. And, I do. I do everything I do for the love of illustration.

 And, here's another of those things I am doing for the love of it. I've recently taken over the running of Dr Sketchy Sheffield - along with my business partner Hell's Belle (yes, just having a business partner called Hell's Belle is a dream come true). I became a Dr Sketchy addict from the first event I attended, so when the opportunity came up to co-run the gig I couldn't say no.

Again though it's turned out to be more work than I'd anticipated because as soon as one event is over we're planning and promoting the next.

So, that said, if you are in the Sheffield area why not come along to our next event (above) and draw with us? It really is a lot of fun. I wouldn't be doing this if it weren't.

Or check out our Facebook page, to see what we get up to, HERE. You see, never stop working.

the barmpot has landed

So finally, here he is; Barmpot. Or, How To Draw 3. Above is the original artwork created for this new zine. I can't believe that the second in the How To Draw series (Loon) was made in 2011. Where did those two years go? And, how did it take so long to come up with the third? I love making this kind of work. It's probably my favourite thing to do; write and draw all the craziness, that would otherwise be filling my head, onto the paper. And, that's what Barmpot is about; drawing with your imagination.

As with the other two in the series it was created with nothing more than ballpoint pens, paper and too much time on ones hands. There are lots of ideas for you, too, to get your imagination and pen working.

How To Draw Like A Barmpot available HERE.

Now, I need to lie down in a dark room.

up the Gherkin

Recently I've been organising the scans of all of the drawings I've made over the past few years and put them into folders and onto memory sticks etc. It's amazing the things you find to do when you have no internet. I came across a  bunch of drawings that I did for a job a few years back. It was for the launch of a new Cross pen (yes, THAT Cross pens). It was a great job. I was approached by Cross to make a series of drawings and to attend their launch night, at the top of the Gherkin (yes, THAT Gherkin). I had to draw a series of iconic buildings and I drew them in the only way I knew how - back then - in the form of souvenirs.

I remember it was a real quick turn around job and that I went right down to the wire with the deadline. Hell, I was still drawing them on the train down to London! So, unfortunately I didn't get to scan all the drawings. I'm particularly annoyed that I didn't scan the New York Museum of Modern Art in a snow globe. Still, it was one of those gigs that was a joy to do (and, let's be honest, it's not often you get to say that). Plus I got to watch the sunset at the top of the Gherkin and to see all the lights go on over London town. 

deconstructing a daydream...

 Here's a brand new drawing.

It was never really actually meant to be a drawing, if you know what I mean? No?

Well it started life as a series of little drawings...

They were just individual drawings of individual pens.

Some of may favourite pens to be precise.

That's all they were ever meant to be, but sometimes I cannot leave a page be.

I cannot rest until I've filled it full of stuff; words, doodles, daydreams...

 I originally drew the pens to decorate the pages of my latest little zine.

But then it grew and grew and grew.

Into one big daydream.

 You can buy the original drawing HERE.

Or if your budget does not stretch to an original (I know mine doesn't), then you get buy the zine HERE.

 

Cheers, my dears.

Happy daydreaming.

have you ever had it blue?

This is Foster's flower shop in the town of Chapel-en-le-Frith. It's another of those places I drive past often and think 'one day I'm going to stop and draw this'. Finally, I did.

Sometimes, actually most of the time, when I see a place like this, I imagine the drawing in my head. It's very brief, it's like I take a mental photograph of it, which I then store until I get around to making the drawing. When I take that 'mental photograph' I can see the colours, I know exactly which pens and what paper I should use.

This flower shop, well, I always saw it in bright primary colours. Just red, blue and yellow. But as I sat, in my car, drawing it I couldn't bring myself to add any other colour. Maybe it was just fear. Or maybe, it was just meant to be blue. Although, I would still like to splatter a load of red and yellow paint over it. Maybe I will. Or maybe I'll just leave it as it is. Or, maybe, perhaps, I'll just go back and draw it again. Who knows?

why i went missing

A sneaky peak at a drawing that has taken over my life or the last couple of weeks. Recently, I've hopped, skipped and jumped from one deadline to another. I'm not sure what or where I'm supposed to be next and I never know what day it is. This drawing is for the Derbyshire Open Art competition. I've been meaning to enter this competition, and exhibition, for the last few years but never got around to it. As always with these things, you feel like there's loads of time between you and the submission day and next thing you know it's tomorrow.

The only theme for this competition is that the work has some Derbyshire connection. So, I drew this gorgeous shop in Buxton. I don't want to share the whole thing quite yet as a) it's a bit of a surprise for the girls at the shop and b) I have to work out how to resize the drawing so that it's not robbable (that is an actual word, I've just checked it out, I was convinced I'd made it up) as, if you follow me on Facebook you'll know, there's a lot of that been going on recently.

So, yesterday, I found myself, in the car, outside the gallery attaching mirror plates to the back of the frame with a screwdriver I won in a Christmas cracker. It's true. Still, I made the submission day and can relax until the next thing. Can anyone tell me what that is?

if you go down to the woods tonight....

Knocked up this promo drawing for our next Dr Sketchy Sheffield event in a couple of weeks time. I'm meant to be doing something else. I have a publishing deadline looming, which is why I am a) making posters for Dr Sketchy events and b) pissing around on the internet.

There's one thing that's really annoying me about this drawing, now that I see it on a screen, and that is the dark green bit at the top of the picture really needs straightening. Is there a straightening tool in Photoshop? I've looked for it. In fact, I wasted at least an hour looking for it, but couldn't find anything.

Anyway, if you are in Sheffield, or anywhere nearby, on the 18th of June, come and join us at the Greystones pub. I can guarantee a night of fabulous girls, great music and drawing. What more do you want on a Tuesday evening? The theme this time (just in case you haven't worked it out, and quite frankly, if you haven't a) I've failed miserably and b) you might be a little bit slow. Just saying) is fairy tale.

Now, I'm off to clean the bath or alphabeticise my DVDs or make up some new words (like alphabeticise) or....

after the rush

Well hello folks, how are you? It's been too long. I always feel terrible guilt when I've neglected my blog for some time. Do you know what I mean? The reason I fell of the face of the earth was because the whole of the last two weeks has been consumed by getting myself ready for a weekend long exhibition I was holding as part of the Derbyshire Open Arts. This is the second time I participated and, just like last year, it was an absolute joy. But then, there's nothing I love more than taking my sketchbooks out of the house and sharing them with people.

I even managed to do a few drawings during the exhibition so will post them, and some more photos, shortly. For now, I'm exhausted. AND, I have a publishing deadline in one weeks time! Yikes. What am I even doing on the internet? We all know how that can swallow up hours, days, your life.

I'll be back just as soon as I've had this nervous breakdown.

please please me

One thing that I get asked a lot is 'which is my favourite drawing' . My favourite of my own drawings, that is. It's a really difficult question to answer as I've made, probably, a couple of thousand drawings over the last few years. And, you know, what I like, or dislike, in a drawing, changes all the time.

I have a love hate relationship with a lot of my work. Sometimes, if I've laboured over a drawing, by the time I've completed it, I usually despise it.

Another thing I've found is that my taste often differs from those (of you) that view my work. The drawings that other people respond to in a positive way can be the ones I dislike the most. I'm almost always surprised by the ones that get a huge response. Sometimes not, but mostly. Then, there are the ones that I love and other people hardly even notice. But, I love that not knowing.

More recently, as my drawing evolves, and I spend a lot more time sketching, the reasons why I like, or dislike, a drawing too have changed. I'm still always chasing a great image, of course (good composition, subject, etc), but now, it's the work where I have challenged or pushed myself, in some way, that I feel most pleased with.

For example, I really love this drawing. I made it in one of the large Moleskine sketchbooks (so, it's on a bigger scale than I used to work). I saw the red chequered table cloth and immediately knew I was going to get a drawing out of it. The food looked great against the cloth was too inviting (but I had to be quick as it was being moved around the table). And, then there were the people, all chatting and moving. I like to think I captured the scene.

Maybe those are the reasons I like it so much, and I'm not expecting it to set the world alight, but it just pleases me. That's all.

feathers fall around you

Later this month, the Bank Holiday weekend of 25th-27th of May to be precise, I will be exhibitng my work as part of the Derbyshire Open Arts annual event. A photographer friend and I will be showing our wares at Pear Tree Cafe in Whaley Bridge.

There is an information board just outside the cafe. You can just see the top of it in this picture. It's in the hedge, next to the road sign, across the road from the car, got it? I said I'd knock something up, you know, a quick sketch to go along with the official event poster, to tell people we'll be there.

A quick sketch, my arse.

i'm only happy when it rains

I've been driving past this bike shop in Buxton quite a lot over the last couple of weeks. A group of bikes, like this, always, without fail, makes me want to draw. You don't actually see it enough in this country. I'm not talking about those freaky serious cycling enthusiasts (there are loads of them), I mean just normal people on normal bikes (I am, of course, joking). It's probably all the hills and because it rains continuously. I think that a gang of bikes is one of those drawing opportunities that, whilst being irresistible, is a real challenge. It's all those wheels.

some moments that i've had

A couple of weeks ago I went on a little mini holiday. Holidays have been few and far between for me recently and almost all of the trips I've made, in the last few years, have been work related. I'm not complaining, I love any kind of travel. Work related or not.

But, there's something that I've been itching do for a while and that's journal a trip. A whole trip. From start to finish. If you are working and travelling that's more difficult to do, I find, because you are either planning or, er, working. So, this little mini break was my opportunity, and, I thought I'd share that with you. From start to finish.

I'll begin with the things that I took with me (I'm talking pens, sketchbooks, etc, and not how many pairs of knickers). Oh, firstly, I should say that as reading material I took Danny Gregory's 'An Illustrated Journey'. This is the first chance, since receiving my copy, that I've had to sit and read and study the book. It was a great travel companion.

Right then, pens and pencils. At this point, I should mention, that I'm not really best suited to drawing en location. You might be able to see why. Yep, simply because I cannot make a decision. Ever. About anything. That tends to be an issue when I'm drawing and travelling; I cannot decide what to take so I just end up taking loads of stuff. Perhaps it's because I'm not that experienced at outdoor sketching yet; I haven't narrowed down my tools. Or, perhaps it's because I cannot make a decision. Ever.

(above, from left to right);

1. a set of pencils (not the ones I use at home - jeeez, I'd need another suitcase if I took those - just a relatively cheap set that I bought many moons ago and have never used)
2. a box filled with various brown, green and natural coloured pens
3. a pencil case of blue ballpoint pens
4. some black fine liners and pens.

And, so to the paper. Recently, I've been using these notebooks for making quick sketches in. My normal sketchbook of choice is the Moleskine, but, these days, I've been trying out other stuff. I read, in An Illustrated Journal, an artist say that they liked the Moleskine because it was like a novel. I completely relate to that, that's exactly what I love about them, but, also, that's the reason I didn't want to take one. I tend to get a bit geeky about the work I do in my Moleskines. I take too much care in them because I'm always seeing the book as a whole. So, I wanted to take something where I could be more, er, um, carefree (?).

 So, I found these notebooks in my favourite shop, Atticus Boo, where I buy all my sketchbooks. I found them whilst looking through their selection of gorgeous stationery. I'd never heard of this brand but knew that they'd be quality as everything in Atticus Boo is. I've given this series of books the title 'some moments that I've had' because they are filled with (sketched) moments that I've had - and, more to the point, because it's a beautiful Kate Bush lyric.

 I remember the firs time I bought one and opened it up to find this little piece of poetry on the fly leaf. It's those tiny little surprises, those little moments, that I love and that spark my imagination and creativity. The lush paper comes in a range of colours. So far I've completed one with a dark cream paper and a blue lined paper. The one I took away with me, this time, was the off white virgin paper you can see below.  

 It's not a sketchbook so I've come to accept that the paper cannot handle the amount of ink I throw at it without bleeding, a little, through the page. But I don't mind. I kind of like it, in fact. Another piece I read in An Illustrated Journey, by the amazing Fabio Consoli, he says 'Energy doesn't come from the pride of having a nice drawing but from the act of drawing it, the act of doing and living in the present, the here and now'. I like that I can be less precious, in these notebooks, than I am with my Moleskines. There's a place for both approaches in my life.

This is the label on the back and might help you if you are a notebook nerd and would like to track them down. I recommend them.

Well, this post was never meant to be soooo long. But, finally, I'm all set and ready to hit the road. Next time I'll show you some of the drawings from my trip and from this journal - if you haven't already lost the will to live. To be continued....