two week sketchbook challenge

 The good thing about not blogging regularly for a period, is that you build up lots of work to post when you finally get back on it. Here's a project I completed earlier in the year.

So, I saw this post on the rather excellent Doodlers Anonymous where somebody completed a sketchbook in two hours. TWO. HOURS. I loved the idea.

 And, I had a couple of new cheap sketchbooks that I'd got in some sale. It gave me an idea of what to do with them. I should say that they were quite big sketchbooks (over 70 double page spreads) and so I set another goal; TWO WEEKS.

Which would pretty much mean taking the sketchbook wherever I went (including Ikea) and drawing even more obsessively than normal.

I started the sketchbook at a life drawing session that I used to attend weekly. It was a good place to start as that week we were focusing on drawing body parts, which meant I could fill up quite a few pages of feet and hands and, well, other bits.

And whilst I was totally pissed off that my washing machine was playing up, I did get a few drawings done waiting around at the laundrette.

I drew my friend's dog and I drew photos of my friends on my window sill.

The thing you have to do while speed drawing in this way is to ditch the fine liner pens. I pretty much used thick pens for the most of it.

I was also going to say you need to forget the detail, but I seemed to capture quite lot at my friend's gorgeous canal boat home - in both the one above and below.

Now it comes to something when you get home from another trip to Ikea, drop your bags on the floor and draw that, but I was determined to get that book finished.

The cat was not impressed.

Obviously these are just a tiny selection of the drawings I made. And they'll never be my best. But that wasn't the point.

It was a challenge, and I wasn't going to give up. I kept on pedalling.

In some places I had a field day.

Like at the antiques auction.

Where there was no shortage of things to draw. I was even sketching whilst bidding.

And I did it. And one of the things that pleased me most about finishing the book was that I finished it exactly two weeks to the day, at life drawing. And with the same model that was posing when I started.

So, if you're ever stuck for something to do, start yourself a two week sketchbook. Give it a go. And yeah, sometime in the near future I'll be giving the two hour sketchbook a bash.

the silence of a falling star and other juicy quotes

Day Four of the post three drawings for five days challenge. Yes, it's taking longer than five days. Way longer.

Today, I chose these three drawings because they are all linked. Obviously, they are, but I thought I'd expand on how they are linked. And, how I work sometimes. So yes, of course, I've worked with the same palette here. Incidentally, blues and browns are my favourite colour combination. I just think they work so beautifully together. They also work great with the cream Moleskine paper which is the sketchbook I worked in here.

I often have a few sketchbooks on the go. Quite a few in fact. A lot are Moleskine, but not all. These days I'll draw on anything and everything. The top page is from what I call a 'spare sketchbook'. It's the kind of book that doesn't have a specific theme, it's just somewhere where I dump all of my thoughts, play around with images and compositions, practice my handwriting, file all those lovely juicy quotes and lyrics - that I happen upon - for future reference and make lists. Lots of lists. I love these kind of books. Everyone should have this sort of sketchbook. I can guarantee if I look through this book (this one is about seven years old now) I am reminded of and inspired by all sorts of things I'd forgotten.

At one time, when I was going through a drawing funk (they don't happen anymore by the way) and whining about it on my blog I was offered a piece of advice that I've never forgotten. I remember who gave me the advice too. It was Felicity Graces who some of you may know - although she doesn't draw, or at least, post her drawings anywhere near enough these days. Anyway, where as other people had been telling me to look through the work of my favourite artists or contemporaries, Felicity said definitely do not do that but look back through my own back catalogue of work. It was good advice. That's where you reconnect with what you love to do and the things you love to draw and why you love to draw.

So, that's why I recommend having a 'spare sketchbook'. You'll find so much in there too relight your fire. And, so to these drawings. Both of the two (bottom) drawings came about from developing themes I played around with in the top spread. By taking the notes and ideas and pushing and pulling them in all directions.

And, another thing, the envelope spread is what can happen when something goes wrong on a page; collage. The best way to cover all of your mistakes.

you should draw me

I feel like I haven't sat down and actually created a 'proper' drawing, or worked on a project, in ages. Life, and making a living, has got in the way of that.

Not that I've stopped drawing, I've never drawn as much. And, I'm loving drawing in a different, faster way. I do long, though, to just sit for an entire afternoon or weekend, week even, and just work on a big mega drawing. The kind of thing I can get lost in.

 But, I need to capitalise on this time of year. That's the reality, right now. I've finally just begun, after a couple of years of real hardship, to see the wood for the trees and to really start thinking like, and seeing myself as, a professional artist/illustrator. Whatever that is.

 And, now, I've forced myself into a situation where I have to make money from this. Which is a good thing. A scary thing, but a good thing.

Before I was just selling online to top up my wage, now my wage tops up my selling online. The balance has shifted. And, I'm no longer just selling online, recently I've been selling offline too.

All of these drawings were made over two days, and two art fairs, last weekend. I've come to realise that I need to sell myself in lots more ways (not like that), to keep a roof over my head.

It's not easy to see your work in those terms; as a saleable product. Well, at least, I don't find it easy. But that is the reality of it.

It's been a long time coming too. I've been talking about it for way too long; taking steps to turn professional. And, it hasn't been the greatest of timing, on my part, in this recent financial climate. But, there's something about the struggle that makes it even more 'rewarding' (that's not the right word, or not the word I'm looking for, but it's late at night and I'm tired).

So, I've been getting my work out there, and, actually, even if it still feels uncomfortable selling me, I couldn't love sharing and talking about my work more. 

I'm constantly amazed anyone wants to know.

My plan for 2015 is to get better at all that stuff. The presenting of my work, that is. I've had a practice run this year, but I want to make my 'show' bigger and better. I want it to be a visual treat, to compliment my sketchbooks.

I want to make lots more lovely creative products that show off my drawings. And, I want to get out there, further afield, and meet and share them with more people.

And, I want more adventures. So that when I finally get back home,

to sit and draw, I'll bring all that I've learnt and seen back to my work. And make it richer than ever.

Looking forward to the New Year already.

I had no idea where this post was going when I started it. Absolutely none. I'm glad it ended on such a positive note. I think I've inspired myself!

inside the artist's head

I found this drawing recently. Well, I found half of this drawing actually. I then finished it off with some added text and added nonsense.

 

It's for sale HERE.

penanarama

Here's a piece  made for one of my favourite sites; Cult Pens. I'm often asked to do link swaps or advertise or review products or sites but never do it. It's not my thing. I only ever mention a product or business if I feel passionate about them. And, Cult Pens I do. They, to me, are the best place to buy pens in the UK. Huge stock of millions of pens. Every pen you could need. Plus, the service is excellent. Pens delivered to your door the next day. Fab.

Anyway, the reason I did this drawing was for the banner of their newsletter and because I'm 'Artist of the Month'. So, there are drawings, an interview and, erm, photo HERE.

Plus, this original drawing is for sale HERE.

for such a long time now

Oh folks, my technology issues continue. But, as bored and frustrated as I am with it all, I'm not letting it get me down. No.

It's giving me more time to draw, create and make some new products ('citing!).

Still haven't got around to cleaning though, as you can see.

So yeah, I'm coping.

Missing you guys though.

Riot Burrrrrrl!

My favourite way to spend a day is just drawing for fun (hey, I know that's not everybody's idea of a riot but different strokes and all that). I feel that I haven't done that for months. I've either been drawing for work or I've been out and about practicing my skills. But, what's been missing in my drawing life is to do it just for a laugh. Now, yes, I know this one also has a purpose. Sure, it's also an promo for our next Dr Sketchy Sheffield event, but it never at any point felt like I was doing it for anything else but for fun.  And, I hope that shows!

carry me home, carry me home you old sea spray

Posting a couple of oldies here, whilst I get my head around Photoshop and while I tackle (struggle with) my tax returns. It really is the worse job of the year. Made only worse when you leave it until the last minute.

These drawings are both on sale. And, are both on a sale (?). Excuse me for peddling my wares but yes, I'm skint again. It seems being a professional doodler isn't the most lucrative way of making a living. The original, of the drawing above, is on sale at a ridiculously cheap price. One of my gorgeous friends said that this drawing was like 'jewellery flotsam, a tide-line of trinkets' and, you know, that's exactly the effect I was going for. The price has been reduced, by a third, and you can buy it HERE.

The print of this, probably my most famous drawing, is also currently on sale. HALF PRICE! And you can get your mits on it HERE.

The day started so well. Me, and this drawing, are featured in the London Metro today. In a piece about doodling. If you'd like to read it here's THE LINK. To be honest, just being mentioned in the same article as Larry David has made my day, week, year.

Something tells me, though, that today's going to go downhill from here. Right then, *rolls up sleeves* come on you tax returns. Let's be having you.

a shaggy dog's tale

click on drawing to view

On Saturday our sketchcrawl group attended an open day for a park in Sheffield. It was an afternoon choc full of all sorts of drawing opportunitiess. There was music, dancing, food all the kind of stuff you'd expect to find at such an event. I managed to make a few drawings which I'll post shortly, but for now, here's a drawing from my favourite part of the day; the dog show. And, specifically, the 'waggiest tail' round.

Now, I don't know if you've ever tried to draw the waggiest tail round of a dog show? Well, if not, I can tell you, it's not easy. There's a whole lot of wagging going on.

how do you stop?

This is an example of one of those drawings that pisses me off. Actually, it's myself that pisses me off. I cannot blame the drawing. I piss myself off for not knowing where to stop. Originally, I set out to draw a nice piece of lined paper, a pen and a little bit of a brainstorming doodling session. That was it. But part of the way into it I started seeing a brain, and then the sea, and some land, and I just kept adding layer upon layer until I ended up with what looks like a bloody pirate's map. Not that I've ever seen a pirate's map. Then, I was so annoyed I smudged it all with my sleeve. Purposely, I should add.

I don't know what else to say.

under the moon of love

You may recognise this drawing. I posted it some time ago. But, it looked a little different then. Check it out HERE.

This really is an example of doodling in it's purist form. I was flabbergasted by the response it recieved back then, because, for the most, I was just working the inks through my pens and checking out the colours. It was my palette, I suppose. After posting it first time round it didn't stop being my palette. I kept working that ink through.

I don't know if it's improved any but I just thought I'd post this development.

just to get close to

So, I am still going to do this Q&A post (I should know, by now, to never say that I am going to do something on a certain day) but it's all taking a little longer to get together than I'd thought. I am trying to go through as many of the emails, I've received in the past, to gather the questions. It WILL happen in the next couple of days.

Leading up to my exhibition I went through a big ol'drawing funk. During that time I couldn't sit down and do one of my trademark, highly laboured, drawings. It just was not happening. I did, however, start this new Moleskine. I bought it specifically for sketching - because I do so little of that. I love drawing SO much that I want to continue learning and improving my skills and that means doing things differently, pushing oneself, from time to time.

In this Moleskine I intend to draw stuff that I wouldn't normally draw. All free hand, no pencils, just ink on paper. I also intend to not get caught up in the whole perfection thing. Here are a few pages from that book. I do feel exposed posting these sort of spreads, but, again, I want to care less about that kind of thing.

feathers fall around you and show you the way to go

Those of you who visit my blog regularly must be bored of hearing me say this; but there is just so much happening for me these days I can't keep up. Opportunities come and go before I've even had time to do anything about them. I suppose it's about prioritising but I'm not sure that I always get that right. People have often asked me for advice on becoming an illustrator and it's the same answer every time; don't ask me, I have no idea! I'm just muddling though it all.

A little while back I was asked to participate in a new little Moleskine project. The idea was to get a bunch of artists to decorate covers of Moleskine notebooks which would be placed for sale HERE. I was most excited to be asked, anything that associates my name with the beloved Moleskine is good with me, but by the time I got around to it it was too late and submissions had finished. This is typical with how things are going right now. But, I'm not complaining. It means there is a lot of interest in my work.

Anyways, the above little book is one I made for the project and as it was designed to go on sale then I've put it in my Etsy shop HERE.

I'd like to say my life was my own again, for a little while but I have another deadline lined up. My next project is my first solo exhibition at the Buxton Art Gallery. That's in three weeks. After that I intend to take stock and think about what happens next. Make some changes, particularly to my business and shop . That's unless anything else comes up in the meantime. But really, I'm really NOT complaining!