i get away

Some more pages from this new Moleskine sketchbook, in which I am teaching myself to draw. It's really hard to get out of some habits, right? To leave your comfort zone and all of those other cliches. The drawings above are from the first full spread in this book. I couldn't give up on the those things I'm always drawing. Little things; the buttons, the tags, the scissors, the stamp.

But, I'm not learning from that. So, I'll keep on pushing myself in other directions. Cos that is the point of this sketchbook; no pencils, no perfect neat drawings, no same old same old.

And as each page goes by I feel I am letting go a little. As I become a bit more confident of drawing things that scare me. And there's a real sense of achievement in drawing something you would have previously avoided and it turning out okay.

Yeah, there are some that turn out pretty rubbish, but they always seem to be the ones I've overthunk.

my deep shade

So, when I made the colour ballpoint pen drawing for the Pen Addicts pen review, a few days ago, I knew I hadn't finished with them. I made my first drawing of colour pens 4 and a half years ago. I'm surprised that I haven't revisited this subject since then. Yeah, I've drawn loads of pens but not the colour ballpoints. Yet, they are the most delectable of subject matter. And, I am still not finished. In this drawing, I really like the parts where two pens, and two colours, meet. I want to continue playing with that and pushing to see where it can take me. And my pens.

This drawing is for sale HERE.

looking from a window above

Damn, it's good to be working in a Moleskine again. Most of my Moleys are in the display cabinets at my exhibition, but I kept a couple aside. I knew that I couldn't go three months without feeling that gorgeous cream paper, smelling those covers and (oh yeah) drawing in them.

This is another spread from the graphic novel idea that I'm working on. I have the story and now I'm just trying to bring those ideas to life through drawings. I'm most excited about this idea (I can't think of another word for 'idea'), hopefully, one day a publisher will be too. There's a couple more drawings from this story HERE.

ringing home so true

Here's a little something I've been working on, and meaning to do, for some time now. I've put a pen review on the Pen Addict's fabulous site. When it came to it there was only one way for me to do a pen review - draw it!

Check out my ballpoint review HERE and don't forget to bookmark that wonderful site (I say 'bookmark it' like I know what that means). I hope this will be the first of many reviews I do for the Pen Addict. I already have the next one penned (sorry) out in my mind.

I must say that it seems that pens have become my new shoes; in that I seem to be drawing lots and lots of them. I ADORED doing this drawing. I just loved drawing these pens, so I'm most definitely finished with them yet. It's also for sale HERE.

they're all wasted

A new oldie up for sale on Etsy. Take a look HERE.

It seems crazy that I made this drawing four years ago. I remember drawing it so vividly. I remember I was watching The Who at Glastonbury and wishing I was there. I love looking at a drawing and seeing all those memories.

rollin' over

Thought I'd give you a little update on the Jane Austen book that I illustrated last year, as I'm often asked about it. Jack and Alice is currently being printed in Portuguese by a Brazilian publisher. I'll update again when it is released. Unfortunately, no news on an English version yet, which is crazy to me. Because, with all those Andrea Joseph fans out there I'm sure it would sell. I believe Jane Austen has a few fans herself, too!

some of them like to tell a story that is long and old

I thought that I'd finished this drawing about three days ago, but I added a little more today. I say that I added a 'little more' when, in fact, what I actually mean is that I've spent probably another five or six hours on it. Believe it or not it had started out as quite a minimalist piece!

Plus, now that I see it on screen I can see a couple of places where I'd like to add something else. To make the composition flow more freely. But, for tonight, I am putting it down. And giving my mince pies a rest.

please be kind if i'm a mess

Some of the black and red ballpoints I am currently using. Simple as that, really.
You know the drill; click on the drawing to read all the nonsense that was going through my head while creating this one. Actually, I haven't actually read it myself. Now that's a worry.

This drawing is also for sale. You can buy it HERE.
Cheers, my dears.

in between tonight and my tomorrows

A few posts ago I told you about how I'd swapped the childish purse I'd been carrying around for the ever so grown up owl purse on the left. The childish purse in question was the cat one on the right. When my friend saw my new purse she said "so now you've had an owl and a pussycat". Then we both looked at each other and said "now, THAT would be a good drawing".

I don't know if it's any good, but I do know that these pair are the most delicious of subjects to draw. I love all the patterns and textures. And, I'm not sure that I've finished with them yet.

this is the modern world

There's always something, isn't there? You feel like you are just catching up, you are getting somewhere, then BAM! something else breaks down or leaks or cracks and you have another bill to fork out for. Today a tyre on my car went. It's irreparable so I have to scratch around for more pennies, and as I've already retrieved all the money down the back of the sofa it's back to the drawing box.
September 2007

July 2011

Whilst rummaging through the box I found these two drawings. I made them about three or four years ago. Oh, er, yep, that would be September 2007 to be precise (yeah, funnily enough, I am blonde). Back then I hadn't yet found my drawing 'voice'. I was still looking. I hadn't worked out how to get the most out of my tools, in this case colour pencils and ballpoints. I didn't know how to achieve the textures that I now can. So seeing these drawings again, with time between us, I could not resist playing around with them; touching them up and giving them the AJ 2011 treatment.
September 2007

July 2011

And, yes, I am putting them up for sale. The 2011 versions. You can buy them, and contribute to a new tyre, HERE.

comes a time

I really must start this Q&A post or I'll continue to put it off. It could be very long so I'm not sure whether I should do it over a few posts or just keep adding to this one. Any ideas on the best way to go about it? Anyway, here are some of the questions I am asked the most and they are about the tools I use.What is the 'sepia' pen that you use?

It is a Pilot G-Tec fine liner. I have recently found other brown pens but the Pilot is still my favourite.
And, which black pens do you use?

I use a whole load of different black pens. Sometimes I use ballpoints, but for the most my drawings are made with fine liners. Again, I use the Pilot G-Tec fine liner, but when it comes to black pens I'm not fussy about brand names as long as they are very fine fine liners! I have used Faber and Castell's Pitt pens in the past but my current favourite is the Uni Pin. I like this one so much because they seem to be have the finest of nibs.

When it comes to fine liners I usually have a variety of nib sizes, to do various jobs. When I get a fine liner that I like I'll try to buy it in 0.5, 0.2 and 0.1 sized nibs. I find all are useful, in fact I find they are all essential.
What ballpoint pens do you use?

When it comes to ballpoints I will use any. I have made drawing after drawing on that subject (just enlarge the drawing above to prove it). I am no pen snob. I'll give anything a go. In my ballpoint pencil case (yes, I have a pencil case specifically for ballpoints) there are Bic, Staedler, Faber and Castell, PaperMate, amongst all sorts of others. There are the freebie pens that you get from charitys and shops, as well as the very cheap packs of ten that don't even have a brand name - they are THAT cheap.

People have often asked about the quality of ballpoints and the blotchyness, and I'll talk about that in future questions that come up about the quality and longevity of ballpoints.

What paper do you use?

For the one off drawings I use a heavyweight cartridge paper. I'm not that loyal to a brand, but Daler and Rowney and Windsor and Newton seem to be the best on the market (I'm NO expert, though!). I always use a heavyweight paper as it needs to be able to handle all the cross hatching that I throw at it. And, that's a lot of cross hatching.

I also use, as you'll know if ever been to this blog before, Moleskine sketchbooks. I adore the paper in these skecth books and always have a few on the go. They are an obsession for me.

Do you ever experiment with other media?

I've used all sorts in the past. I used to do a bit of painting, but it seems an awful lot of faffing around. I’m a bit lazy like that and can’t be bothered with washing brushes and all the setting up process that painting involves. And, anyway I always ended up drawing with the paintbrush as opposed to painting with it.

I've also used graphite pencil. I always thought that my work would be suited to it. After much practice I found this not to be true. But I’m not a fan of pencil at all. I enjoy seeing other people use it but it’s not for me.

I do love colour pencils, though, and all my colour work is made with colour pencils and colour ballpoint.

just to get close to

So, I am still going to do this Q&A post (I should know, by now, to never say that I am going to do something on a certain day) but it's all taking a little longer to get together than I'd thought. I am trying to go through as many of the emails, I've received in the past, to gather the questions. It WILL happen in the next couple of days.

Leading up to my exhibition I went through a big ol'drawing funk. During that time I couldn't sit down and do one of my trademark, highly laboured, drawings. It just was not happening. I did, however, start this new Moleskine. I bought it specifically for sketching - because I do so little of that. I love drawing SO much that I want to continue learning and improving my skills and that means doing things differently, pushing oneself, from time to time.

In this Moleskine I intend to draw stuff that I wouldn't normally draw. All free hand, no pencils, just ink on paper. I also intend to not get caught up in the whole perfection thing. Here are a few pages from that book. I do feel exposed posting these sort of spreads, but, again, I want to care less about that kind of thing.

the place i love is overgrown now

So folks, I believe, what I am doing here is known as selling off the family silver. The time has come for some of my drawings to fly the nest. There are no pretences here. I'm skint. Mine is the age old story of the poor scraping artist in his garret. But what is the point in having all that lovely silver cutlery if you cannot afford to put the food on your plate?

Yes folks, I'm putting some of my original drawings up for sale, in my Etsy shop, at very very reasonable prices. This is your opportunity to grab yourself a bargain. In fact, I've been doing my maths and I've worked out the prices on a $0.0000000000000000000002 per cross hatched line basis. I cannot possibly make them any cheaper. But what is the point in me sitting here in this cold damp dark attic when I have a box of lovely drawings?

Dramatic? Me? Never!
Over the next couple of weeks I'll be adding new drawings, including the ones in this post, on a (possibly) daily basis. See my shop HERE.

Oh, and don't worry about me. It's not that bad. I've just got a few bills to pay.

ink on a pin

For probably about two years now I've been meaning to do a FAQ post. It would then provide me with a link that I can send to people when they write to me asking about pens and stuff. This week, while I'm being all pro active, that is what I am going to do. I originally thought I'd do it today but I'm going to push it back to the end of the week, to coincide with my birthday (eeek). It feels right to do it on that day. I don't know why.

So, if you have any questions you'd like to ask about my work then please do. You can ask them in the comments and I'll answer them to my post.

Another thing I am going to be doing is a pen review. This drawing is me warming up for that. Click on it if you'd like to read the low down on this selection ballpoints.

why don't you come over to my house?

This is the first time in ages that I have not had some kind of deadline looming on the horizon. And, after the stress of some of those deadlines I cannot believe I'm actually going to complain about that - but I am. I'm suddenly feeling so restless. I want something to work toward. Some project. I don't know what sort of project but I'll figure it out. I'll make something happen.

In the meantime, here's a new drawing. A few months ago my coin purse fell apart and I temporarily replaced it with an old purse that had belonged to my niece - when she was about five. It was ridiculously childish purse for 'a lady of a certain age' so, I decided I must replace it and went out to buy a new one. And, yep, you've guessed it; I came home with this much more grown up cloth owl.

This little guy is available for sale (the original drawing, not the purse) HERE.