you are a look in your eye

Above is a drawing that I made at an exhibition at Buxton Museum recently. Well, I made part of it there and part at home.

Below is a drawing of me, making the above drawing at the exhibition, by my friend Lynne McPeake. Pretty cool, huh?

side-streets that you slip down

I've finally finished the drawings for the production of James and the Giant Peach at Buxton Festival.

These two drawings depict the two stages of completing a deadline.
Above; panic = trying to get all the work in on time.
Below; bliss = all work in on time (ish).

There are three performances of the James production, in early July,so, if you are close to Buxton then bring your kids along. I can't wait for it, myself. It'll be a new experience to see my work as backdrops. How exciting. I hope to post some photos from the event.

You can get your tickets HERE.

above the clouds

And now for something completely different. Different from all the sketch crawl stuff that I've been posting of late anyway. Here's a couple more from the James and Giant Peach project. These drawings will become the backdrops to the play. I find it quite difficult to not get sucked into all the details. After all, that's what I love to do.

The scene below is what goes on inside the peach on an average evening. As I was finishing it I was reminded of one of my favourite Spike Milligan poems which goes like this;

'Today I saw a little worm wriggling on his belly,
perhaps he'd like to come inside and see what's on the telly.'

I bloody love that.

i'm glad i spent it with you

Another little sketch, in my mini Moleskine, from last Saturday's sketchcrawl in Buxton. While most of the sensible sketchers sat in he warm botanical garden drawing I, like a fool, stood outside and drew this ice cream van. It was such a cold day and drawing an ice cream van just made me feel even more chilly. At least, I guess, Diane our visiting sketcher from Australia got the full Sketchcrawl North experience. Brrrrrr.

This sketch is okay, I suppose. I tackled one of those subjects that I find quite intimidating; vehicles. It's nothing special. If you'd like to see some REALLY good drawings from the day then hop on over to Lynne Chapman's blog. She is the dog's bollocks. And, to those not familiar with that term, who may think I've just been very insulting, it means quite the opposite. Perhaps, to avoid any confusion, I should have just said she's great. Anyway, go and have a look for yourself HERE.

fame is but a fruit tree

Fame is but a fruit tree. Isn't that a great line by the beautiful Nick Drake? I'd like to have known him.

Anyway, here's another of the backdrops I am illustrating for the Buxton Festival's production of James and the Giant Peach. I'm pretty happy with this one and though I might still add a little background I also liked it against the white.

Right, I'm off to do some more drawing whilst day dreaming about knowing Nick Drake. Sounds like a perfect afternoon. If only I didn't have to go to work. Ah well, you can't have it all.

Lots more on it's way this week.

in those cold cold moments

Yesterday we were in Buxton for a little sketching and a lot of sitting in a cafe (it seemed). It was a lovely day, despite it being freeeezing, and I got quite a few sketches done. I'm desperate to get my (cross hatching) hands on them but this week I'll be drawing nothing but peaches.

In the meantime you could visit the Sketchcrawl North group on Facebook for lots of gorgeous drawings from the day and news on our future get-togethers HERE.

it was set in a different life

 Here are another couple of drawings that I have been working on for Buxton Festival's production of James and the Giant Peach. This has been an interesting project to work on. It's quite different to what I'd normally do in that usually my work is all about the detail. This brief is almost opposite to that. These images will be the backdrops to the production and therefore should not distract from everything that is going on on the stage. So, with that in mind, I've tried to create them through colour and atmosphere.

Anyone interested in attending the production can find the details here. I'll be there on for the Monday afternoon (9th of July) performance and the original drawings will be displayed in the foyer throughout. I'll linger in that area before the show so come and say hello.

here comes the sun

Here's one from the series I am doing for a stage production of James and the Giant Peach. These drawings will be used as the backdrops (is that the right word? Despite having lots of gay friends, I'm not much of a theatre goer).

I actually did this one this afternoon whilst watching Bondi Rescue. I was obviously watching it to study the colours and textures of the water, skies and clouds. I was definitely not watching it to study all those hot lifeguards. Definitely not.

little by little

You may remember that some time back I created this drawing, above, as the publicitiy image for Buxton Festival's production of James and the Giant Peach.
Well, they kinda liked it and asked if I would do a series of illustrations that would become the back drop for the actual prodcution. I've never done anything like that before and I thought it would be cool to see my illustrations become something bigger, so to speak.
I thought it might be interesting to blog this process, starting these are the first rough sketches. At this point I am just mapping out the drawings.
I was a Roald Dahl freak when I was young. In fact, Danny Champion of the World is still in my top ten favourite books (maybe even top 5). I have a vague memory of reading James, but I've never seen the film. I did consider watching it but decided against it in the end. I don't really want to be influenced by anything else.
I shall watch it after the event. Which will be a nice way to end a project. I'll post all ten (!) of the drawings as I complete them.

you're here in my head, like the sun coming out

I recently completed a couple of drawings for the Buxton Festival's 2012 brochure. This one is, obviously (well, at least I hope it's obvious), for a production of James and the Giant Peach.

I do believe this is the first time I've actually made a drawing from a subject that is already so famous (I could be completely wrong, I have a rotten memory). I didn't really let that bother me, I just tried to, as every 'judge' of every tv 'talent' show says every five minutes, "make it my own". Yuk.

I can't tell you how much I want to scribble 'James and the Giant Peach' in big scratchy writing in the left hand corner of this one. I suppose now it's scanned.......