On Henry Moore and stuff

A few weeks ago I visited the fabulous Yorkshire Sculpture Park with Urban Sketchers Yorkshire. I love this place, plus, even better, there was a Henry Moore exhibition. 

I came to Henry Moore later in life. In the last couple of years, actually, I'm pretty sure it was on my first ever trip out with the Urban Sketchers to the YSP. Anyway, wherever whenever, now I'm a big fan. 

It's just SO drawable.

Earlier this month, when I had a grip on #Inktober - before it ran off in all directions - and I was doing an ink drawing a day, I came across my Moleskine watercolour sketchbook.

It hadn't been used much at all. In fact I hadn't seen it for years. But when I opened it I found this wash (above). Now, I have no idea what I was thinking way back then when I put it on the page, but just looking at it with all that time between us, I could only see one thing. You're thinking the same, right?? You can see it too, yeah?

Yes, exactly. 

So I came up with my very own Henry Moore reclining nude. An Andrea Joseph inspired by Henry Moore for day nine of #inktober

inky update

I'll be honest, I have no idea where I'm up to with Inktober. But that doesn't mean I'm not inking away. In fact I haven't stopped. 

And my love for ink grows by the day. I've always loved the intensity of ink, and have used it in the past, but always ended up drawing with my paint brush in a very controlled way.

Last weekend I was lucky enough to take an expressive ink workshop by talented fashion artist and illustrator Tracy Fennell. I absolutely loved it. I really feel this is what I've been looking for.  

I'm always trying to improve my skills, always wanting to learn new things when it comes to illustration. I love drawing so much that I just want to keep learning. I want to learn anything and everything. 

So, yes, I'm very much loving ink and Inktober - even if I have no idea where I'm up to. 

raining cats and dogs

Still keeping up with #inktober (just about) and the last few days have been all about cats and dogs.

Not sure where it came from, some dark recess of my mind no doubt. Actually this poodle has been trapped inside trying to get out for ages. 

I've also been trying to work outside of the sketchbook. Not that I'm giving up in the sketchbook. NOOOOO way. I'd never do that, my sketchbooks are my favourite places to draw and that was the problem.

I just felt I couldn't draw outside of the sketchbook. And when I feel like that about some drawing related thing, these days, I challenge myself to....well....challenge the 'I can't' thoughts and feelings. 

So, with that in mind, I've decided to use up all of the scraps of paper I have around the house. It started with my bicycle challenge (the one where I felt I could never draw a bike so I drew fifty in a few weeks. Actually, I'm not sure I've blogged about that yet) I gathered every bit of blank paper in the whole house and have started drawing on them. 

A friend of mine bought this 1920s music paper for me so I drew on that. I drew on the cardboard backs of sketchbooks. And on brown paper. On old water colour pads. Anything that's been hanging around. It's getting drawn on.

 Like this poodle, if it's a bit of paper that can be drawn on then it won't be hanging around for long. It's going walkies.

 

Cat and dog drawings available HERE.

Teoh To Me (a reference you'll only get if you're British, unless the Chuckle Brothers have gone global)

Check out this lovely review of my book by Teoh of Parka Blogs. For those of you who haven't yet got a copy it'll tell you all you need to know about the book. Apart from the bit about me being French. I'm not. I've just always wanted to be!

 

Thanks so much Teoh.

You can get hold of a copy of my book HERE.

Ink on Kinder

Hello, it's me and I'm blogging and I'm still doing daily inky things for #inktober. Yesterday I did inky things up a mountain. Or a Peak. On Kinder Scout to be precise. 

Landscape probably wouldn't be my subject matter of choice, but I'd never rule any subject out. These days I love to tackle something I wouldn't normally tackle. 

But I don't really know how to approach landscapes, that's the problem. Or the challenge. 

So, I approached these rocks and this landscapes in the way I know how, by seeing them as a 1950s textile design. Did it work? I dunno. 

To be honest, I don't care. I had fun trying. And that's what #inktober is about for me. That's what drawing is about. 

Inky October

#Inktober Day 2 

In my quest to blog more (this always goes 'tits up' as we say in the UK) I've got on board with the whole Inktober thing. A day late, but I'm on board now. 

#Inktober Day 3 

Now, I'm truly rubbish at doing these things. Almost as soon as I commit I start resenting having to do a drawing a day for a month (or however long the thing is that you've signed up to) and then it just becomes a massive chore. But it has been a while since I've committed to any such thing, and I draw everyday anyway, so I'm giving it a bash. How hard can it be?

#Inktober Day 4

Another reason that participating in Inktober makes sense is that I am going to be taking a couple of Tracy Fennell's ink workshops during October. I really feel that need to push my work in a new direction. To take it somewhere exciting and I've always been a massive ink fan. So, no doubt, after the classes I'll be itching to experiment with all the new techniques.

#Inktober Day 5 

So that's the story so far. I'll post the rest as I go along. I will, I will, I will *trying to convince myself*. 

Some of my Inktober sketches are for sale, in my Etsy shop, HERE.