Although everything has been quiet around here lately I'm still busily beavering away at this one. So, I thought I'd share another stage of this mammoth drawing with you. So far I've been drawing all the bits and bobs in with colour ballpoints and fine liners. I still don't know how, or if, it'll come together as I rarely do a full-on colour drawing like this. I'm thinking it's nearly there. The final stages will be to get the whole drawing down in pen and then I'll add the final details and, hopefully, a little more 'atmosphere' (is that the right word?) with some soft pencils. That's the plan anyway.
Then what I'd most like to do is get back to blogging. It's just that these days I have lots of things coming at me from every direction. Again, I'm not complaining. Exciting things are happening. It's just that I'm not getting the time to spend with you guys. And, I miss that.
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Friday, February 25, 2011
Wednesday, February 16, 2011
where sleeplessness awaits
So I started this drawing about two or three weeks ago but unfortunately it's going to have to be put on the back burner for the next few days as a new, more pressing deadline has emerged from nowhere.
This is one of the most ambitious drawings that I've undertaken yet. It's on A3 paper which is double the size I normally use. Plus it's full colour. Thus far it has taken approximately 20 hours.
Anyway, I thought I'd take this opportunity to show you how I make these big mad drawings as it is a question I'm asked often. In the past I've been asked if I set up the compositions or whether I draw from a photo. The answer to both of those questions is no. I almost always draw from life.
What I do do is start with a couple objects (in this case the tram ticket, the Mary and baby Jesus and the seahorse) and then add the rest around them. I place the other objects on the paper, mapping it out piece by piece. It's almost as though the composition works itself out. I love drawings like this. I love the way they reveal themselves to me, the way they unfold in front of my eyes.
This is one of the most ambitious drawings that I've undertaken yet. It's on A3 paper which is double the size I normally use. Plus it's full colour. Thus far it has taken approximately 20 hours.
Anyway, I thought I'd take this opportunity to show you how I make these big mad drawings as it is a question I'm asked often. In the past I've been asked if I set up the compositions or whether I draw from a photo. The answer to both of those questions is no. I almost always draw from life.
What I do do is start with a couple objects (in this case the tram ticket, the Mary and baby Jesus and the seahorse) and then add the rest around them. I place the other objects on the paper, mapping it out piece by piece. It's almost as though the composition works itself out. I love drawings like this. I love the way they reveal themselves to me, the way they unfold in front of my eyes.
Sunday, February 06, 2011
sleeping through the day
WARNING; zinemaking can seriously damage your sanity.
'How to Draw Like a Nut' is still available HERE.